King Tutankhamun, The Curse of The Pharaohs, and Gregory Levasseur’s The Pyramid

On this day, November 4th, just over 100 years ago, the first step of the entrance staircase to King Tutankhamun’s tomb was discovered while workmen were digging beneath the remains of some ancient huts.

If you’re asking “So what?” well it’s only that this discovery, and the opening of the tomb’s burial chamber several months later on February 16th 1923, is still highly regarded as one of the greatest archaeological discoveries ever made.

Some 5,000 items were found in the chamber, the likes of which — a solid gold coffin, a 9×2 foot shrine to the ancient Egyptian god Anubis, and the pharaoh’s death mask (the iconic emblem of Ancient Egypt) — the world had never seen.

I’m not sure that I’ll be commemorating the event every year on this blog, like I’ve done with #DinosaurDay, and #NationalVelociraptorDay, but I’ve long wanted to at least post something which would draw attention to it considering it is certainly an amazing event for any interested in Ancient Egypt.

However, I don’t work in any kind of Egyptology related field, so what could I possibly post that would not just be a copy of what others have already figured out? What might possibly add something to the conversation?

Well, I can I do what I always do, which is review a piece of media tangentially related to the the subject.

In this case, that media would be the 2014 horror film, The Pyramid directed by Gregory Levasseur. At the time of this writing it’s streaming on . . . well everywhere, but I watched it on HBO Max.

The connection between King Tut’s Tomb and The Pyramid has more to with the legacy of events surrounding the tomb than any actual references within the film, namely curses.

The Curse of the Pharaohs is a long running trope in fiction owing much of its continued existence to continual film readaptations of The Mummy (original in 1932, adaptations in 1959, 1999, and 2017).

Some Ancient Egyptian tombs really do have curses inscribed on their facades or above their thresholds such as 6th Dynasty king Khentika Ikhekhi at Saqqara.

Ironically, no curses were found inside King Tut’s tomb but a series of deaths, and the general frenzy of excitement about the tomb’s discovery were enough to stoke the belief that the tomb was cursed anyway.

The first death was George Herbert, the Earl of Carnarvon. He was the financial backer of the excavation and perhaps the death which people most attribute to the curse. He died on April 5th 1923 of an infected mosquito bite. It would seem that the sin he committed which brought down Pharaoh’s wrath, was simply being present at the opening of the tomb.

A.C. Mace was a member of the excavation team, died April 1923. George Jay Gould, visited the tomb and died May 16th 1923. Carter’s secretary, Richard Bethell, died November 15th 1929; suspected smothering.

Howard Carter, credited with the tomb’s discovery and excavation also died . . . Sixteen years later on March 2nd 1939, but obviously Pharaoh’s wrath got him too.

Ok We Got It. How Was The Pyramid?

In a few words . . . Not great.

I’m sort of a casual observer of horror movies in general, so I can’t say I have a wealth of expertise to draw from but I think perhaps it is passable when looked at solely through that lens.

However, there were so many things that were not made clear to the viewer, or very noticeably hand-waved over that it was hard to feel any real tension or foreboding. There are some pretty gruesome deaths, and jump scares aplenty, but I would say we were halfway through the film before we even knew what we were supposed to be afraid of, and when the villain is finally revealed in the flesh, the FX budget unfortunately took a bit of the fright out of it.

If you came to the movie hoping to be awed by the mystery inherent in uncovering an ancient culture, you’ll be pretty disappointed. The movie does incorporate some of the sign posts of the aforementioned “Curse of the Pharaohs” type plot, but in my opinion does not execute well in that area.

For instance, in one of the early scenes, we find a classic warning: aka a vague message written in hieroglyphics above the entrance to a tomb. Unfortunately, the message is extremely vague, really only three words, and we never get a clear shot at of the glyphs. I have some limited recognition of hieroglyphics, and being still a novice, it’s possible that the symbols meant what the characters said they did, but there’s almost no way to know. We can never see the symbols clearly (this happens continuously throughout the film).

However, I don’t think that is the real issue when it comes to Curse of the Pharaoh. I’ve always felt that a good warning/curse is instructive of what not to do. Why we’re ok with all these characters dying is because they ignore that advice and get what’s coming to them. The three words here are just words like “death”, and “slaughter”. Now that I’m thinking about it, I’m not even sure if they say don’t come in.

Then there are the references to Ancient Egyptian cosmology, and some backstory about their gods and goddesses, which are given in such broad strokes that it may not be ‘wrong’, but it also doesn’t feel ‘right’. I do feel like I can stand strongly on some inconsistency in their depiction of the Weighing of the Heart which they use to justify some things later in the film which will be a bit spoiler-y if I go into them.

Anyway, some wall paintings show that famous scene as an excuse to dump backstory. The relief includes what I would consider the accepted role of Ammit, the devourer of souls that fail judgement, but towards the climax of the film, some of those responsibilities get shifted onto other deities. Which is a shame because this is a horror film, and as we know from watching Moon Knight on Disney+, Ammit is plenty terrifying.

Finally, were this movie really loses me is with its fast and loose allusions to conspiracy and other mythologies. There are references to ancient aliens, Aztec mythology (because they also have pyramids I guess), and the Free Masons. I was half expecting a Nazi to appear at any moment, but if those shots were filmed, somebody had the sense to reign it in slightly.

Now in a work of fiction, I’m not opposed some or even all of the plot having to do with one of those conspiracies or mythologies, but to just keep piling them in without really tying them to the plot in any significant way got my eyes rolling.

Give This One a Watch?

Ultimately, I’d it’s one you can miss. If you’re the type of person who enjoys watching bad movies for fun, maybe this will be up your alley? I do understand that kind of appeal (I did after all watch and enjoy Velocipastor), but I’m not even sure this movie succeeds at being that type of movie either.

If you’re hoping to watch something Ancient Egyptian inspired as a way to commemorate the discovery of Tutankhamun’s tomb a little over a hundred years ago . . . well let’s say this one might incur the wrath of Tut himself, Howard Carter, and any other Egyptologist who happens to open this onto the screen.

You’ve read the warning on the wall . . . do not watch.

For any who ignored the warnings and are risking the curse, what did y’all think? Let me know in the comments. Am I way off base here?

That’s all for now. See you next time!

What Gods And Goddesses I’d Want to See in a God of War Game Set in Ancient Egypt!

It’s May, and while I should be doing #WyrdAndWonder things on the blog, I stumbled across an article on Gamer Rant doing a sort of “fancast” of gods and historical figures that it would be great to see in a new God of War game set in Ancient Egypt (I did something similar before Marvel/Disney’s Moon Knight came out with 9 Things We Want to See in Marvel’s Moon Knight)

And because I now talk about videogames on this blog, I figured it’d be worth posting some thoughts.

Game Rant’s 6 figures of Egyptian Mythology That Would Be Great For A God of War Game gives us a great place to start, laying out a pretty awesome list including: Ammit, Isis, Set, Sobek, Apophis, and Imhotep.

I would be thrilled to see Kratos face off (or ally with) any of those gods and goddesses, and I love the reasoning the author gave for why such appearances might make sense. However, I couldn’t help but wonder if the developers might actually stay away from these big names considering many already have such memorable depictions associated with them.

As the article mentions, Sobek and Apophis have already made appearances in another extraordinary videogame, Assassin’s Creed Origins (one of my favorites!), and Isis is renown from games like Age of Mythology (another fav!) and Smite.

Of course Imhotep will forever be immortalized in the 1999 film, The Mummy (a third fav!), and Ammit has recently come into the spotlight because of Marvel and Disney+’s outstanding show, Moon Knight.

Side note: If you’re at all curious to see how games like AC: Origins and Age of Mythology have influenced my own writing please check out my ‘influences’ posts, specifically From the Primordial Ooze.

The following list of gods and goddesses are not particularly obscure by any means, however, I don’t have any particularly strong associations with them in other media, so I thought I’d list em and see what people think.

Quick Note on the Setting

As the header image shows, GoW would look amazing just wandering around Egypt, with pyramids in the background, or even getting to explore and solve puzzles within the tombs (ala AC: Origins), however, just as we’ve explored the Greek underworld in the original GoW games, and the realms of Norse mythology which weren’t earth, I think it makes sense that much, or even most of a story set in Egypt would take place journeying through the Duat.

This Egyptian underworld was the path Egyptian souls would travel from their bodies on earth to the Weighing of the Heart, a trial which would decide whether they could pass into the heavenly paradise known as the Field of Reeds (or the Fields of Aaru), or be cursed to walk the earth as a spirit. This journey contained thousands of trials and horrible monsters, thirteen gates and their guardians, and a lake of fire.

Just imagine all the fun that would be for Kratos . . .

Anyway, here’s my list!

Horus

Horus is a falcon headed god of the ancient Egyptian pantheon. He often has the epithet “the Avenger” attached to his name, but their are many others which can be used to describe this deity. Probably because he is one of the most important gods within the pantheon.

Perhaps the most famous myth about Horus, is how he slew is uncle Set, after the chaotic god murdered Horus’ father Osiris (the Game Rant article touches briefly on this when they spoke about Isis).

Something that I don’t see often shown in stories involving Horus (probably because it’s confusing as hell), is epithets which denote his age. Horus is known dually as Horus the Younger, a child with a single lock of hair and a finger in his mouth, and Horus the Elder, an adult form of the god who is the son of other Egyptian gods Nut and Geb (in most stories Isis and Osiris are Horus’ parents).

I think it might be fun to play with the concept of two Horuses, one the younger and one the elder. A time travel element could be cool with Kratos training the young Horus to fight Set at the direction of Horus the Elder who came back in time to set Kratos along the path.

There is already a baked in McGuffin with the Eye of Horus.

My only qualm with this whole Isis, Osiris, Horus vs Set drama, is that it may be bit played out. Also, many might still associate the character of Horus with Nikolaj Coster-Waldau who played the character in Gods of Egypt.

There aren’t many who enjoyed Gods of Egypt.

Nephthys

If the Horus/Osiris/Isis/Set drama does happen, it would be great to see Set’s wife Nephthys take a more prominent roll. I always feel like she always gets pushed aside, even in the literal myth.

Anubis

Anubis is just the greatest. I never get tired of seeing this god appear in fiction, no matter how many times I see him (also check out my review of Death Dogs). One of this god’s primary rolls is to help use the scales of Ma’at at the Weighing of the Heart and guide the deceased to the Duat.

Since he’s kinda a grim reaper type of fellow, it would be interesting to see Kratos on his death bed, expecting a Greek or Norse god to take him to his final fate, but instead it is Anubis who calls him into Egypt.

He’s often cited as the son of Nephthys and Set, so he would make a good player in the family drama mentioned above.

Ma’at

A goddess and the literal concept of justice / truth. It seems like most things in ancient Egyptian society stemmed from attempting to keep this in balance with Isfet, the concept of chaos and disorder. Setting Ma’at as an antagonist would be a twist but in line with how Kratos tries to defy Fate.

Ra –

If Kratos is to go up against Apophis, it only makes sense that Ra would be at his side. Like Horus, Ra has a falcon’s head and is associated with the sun. Specifically, Ra rides the Atet Boat across the sky during the day, and sails the rivers of the Duat at night, waging war against the great serpent Apep (also called Apophis). If Kratos is to adventure through the Egyptian underworld, I don’t see how he would not run into this all powerful god.

Thoth –

Thoth is an Ibis headed god of the moon, but also wisdom. As many fans have already noted, there are definitely parallels here with the norse god Mimir from previous games.

Personally I’d like to see the two compete for Kratos’ ear, and try to prove to him that they are the smarter god of wisdom. Could be good for a few laughs.

Sekhmet

I think Sekhmet may be the closest we come to a God of War in the Egyptian pantheon. She is a lion headed goddess (also present in AC: Origins, but not really as big a player as Sobek) primarily known for her savagery and blood drinking. There is a myth in which Ra pacifies her by dying beer red. She gets so drunk thinking the beer is blood that she cannot continue on her killing spree.

In many cults she has a connection with the goddess Bastet, another feline goddess, and the daughter of Ra.

Some believed Sekhmet and Bastet to be two aspects of a single god, while others worshipped the goddesses as sisters. I think there could be some potential for trickery and betrayal if such a character was added.

Conclusion

Well, there you have it, seven gods it would be awesome to see in the next GoW game. I think the choices above are still pretty well known, but not so top-of-mind as to be in competition with other games, movies, or shows.

Of course, all of the things unrelated to gods and goddesses mentioned in 9 Things We Want to See in Marvel’s Moon Knight, would be great to see in a new GoW game as well. There is such a DEEP well of history and mythology to pull from that it might seem a bit overwhelming, but I know the folks developing the next GoW title will take their time and use care when crafting the game.

I can’t way to see what they come up with!

How about you all? Any gods, goddesses or monsters the new game should include? Did any of the deities listed above evoke a strong association with another kind of media? What other stories have these figures inhabited that are your favorites?

Please leave your answers in the comments. I LOVE talking about this stuff!

Moon Knight Unwrapped: Ep. 5 – Asylum

Only one . . . more . . . episode . . . to go . . .

I can hardly stand it. But it’s not quite time to talk about that yet. It’s time to talk about Episode 5 – Asylum.

Eeek!

Ok. Really quickly, if you If you’re interested in catching up on any of my previous posts about this show, please check out my Moon Knight Unwrapped tag. I have some posts about Moon Knight Comics too, or you can just check out my a general list of Moon Knight posts as well.

Finally, I should probably start this episode with a bit of a content warning. The episode depicts: sibling death, parental violence (physical and psychological), loss, grief, PTSD, death of a main character.

Ok. Deep breath. Here we go.

This episode was such a heavy hitter in so many respects, and there were so many choices here that I just absolutely loved.

First, let’s talk about the the . . . Ancient Egyptian-ness of this episode. Of course, as usual, Roxanne Bicker does an amazing job talking about the history behind this episode in her „Moon Knight“ – Die altägyptischen Hintergründe erklärt, Teil 9 (google translate is our friend).

The part I was probably most excited to see, was the barque of the Sun God, Ra, on which Marc/Steven are traveling through the Duat. Tawaret, a goddess of Motherhood and Childbirth, is not typically responsible for escorting souls through the afterlife, and it’s obvious from the very start that she is uncomfortable in her new role. There’s a ton of speculation that she is filling in for Ra because so many of the other Gods are imprisoned in the Ushabti, as Khonshu was at the end of Moon Knight Episode 3 – The Friendly Type.

I think this is probably true, but I have also been wondering if there isn’t a second meaning as well (there is a duality to everything in this show). Revealed in this episode, is Marc’s abuse at the hands of his mother, after his brother Randall (RoRo!) passes away. My theory is that Tawaret’s appearance — being a goddess of Motherhood — is another attempt of Marc’s mind to cope with being dead and perhaps a yearning for a positive motherly influence, only it’s influenced by Steven’s fascination with Ancient Egypt.

Of course, I hoped for/predicted the scales of Anubis back before the show was released, and I was not disappointed in their depiction within this episode. I though the porcelain hearts, seemingly made of a similar material to the canopic jars Ancient Egyptians used to store their organs for the afterlife was a really neat, and probably less gruesome way to depict this essential part of Ancient Egyptian epistemology: Judgement.

Finally, since this post is already going pretty long and there’s still the predictions and theories to go through, I’ll end by saying my final favorite shot, was of the Khonshu-like bird skeleton we see before entering the flooded cave. So much to unpack there certainly, but I’ll be honest, I’m not sure I’ve landed on a good explanation of what it implies. Perhaps that Khonshu has been with Steven for longer than we realized? Either as a part of his psyche, or active in his life as a god like we see later? Maybe that really was just a dead bird which Marc has projected onto the form of Khonshu and mythologized over time . . . Perhaps Khonshu isn’t real at all and Marc received super powers some other way . . . and his mind is trying to cope . . . I don’t know.

Anyway, RIP Steven (omg I think I actually cried). I hope, as they say in The Mummy that “Death is only the beginning” and that we see you again soon.

Predictions

Steven will return?

This is more or less what happens towards the end of the Lemire comics. In the final book, Moon Knight Volume 3: Birth and Death, we see much of what we saw in this episode (#5) with a flashback to the first time Marc imagines Steven (although it doesn’t have anything to do with any British archeologists, or child beating thankfully). We also see some of his time in Afghanistan, and how he meets Duchamp (Frenchie), and his origin with Bushman (VERY briefly brushed over in this episode which is probably good).

Finally we see Khonshu’s tomb and the creation of the figure Moon Knight, which we saw in this episode as well. The third story we get in that series is Spector’s return to the asylum, and his eventual fight with Khonshu. In order to return to the asylum he must find Anubis’ wife (Anpu) and ALL of his alters return to help him escape a kind of weird Ancient Egyptian inspired alien planet before he faces Khonshu “alone” (the implication being that Marc IS all of his identities and so he can call upon any of their traits and powers even without having to manifest them).

Khonshu Freed (along with other gods)

Another logical assumption we can make, is that our (my?) beloved Khonshu will be freed from his stone Ushabti this episode, and possibly so would the other gods. I think this would be amazing as it would open up so many possibilities within the MCU! Also I just want to see the Ancient Egyptian pantheon running around (you can see which gods specifically I’m excited for in 9 Things About Ancient Egypt I Hope We See In Marvel’s #MoonKnight) because that would be dope as hell.

Harrow vs Moon Knight Fight . . .

Again, not much of a prediction considering we’ve seen footage of the two fighting in trailers that we have yet to see in the show (although I suppose sometimes trailer footage doesn’t make it into the show always). However, what they’re fighting about and why is the much more interesting question. From the souls we saw falling into the Duat, it seems clear that Ammit has been freed from her ushabti and is wreaking havoc on the world above.

It seems reasonable to assume that there will be some way to imprison her again, and that Harrow will be fighting to stop that process from happening. In ancient times, Ushabti could be made of many materials, but many were created from a kind of glazed earthenware known as Egyptian Faience. In Moon Knight, it seems the figures are made from stone, and created using a ritual performed by the Ennead. Perhaps this divine group has seen the error of their ways, and led by Hathor/Sekhmet, is attempting to complete this ritual and imprison Ammit once again. Maybe they’re down a member and need a recently freed Khonshu to step in an help? I guess we’ll have to wait and see.

Moon Knight will return in . . .

I just can’t abide that this show will only be a one season as Oscar Isaac has claimed or that we won’t see Moon Knight again in the MCU. Right now, I have pretty little interest in the Midnight Sons theory as aside from the Netflix Daredevil show, I don’t think we’ve really had any compelling versions of these characters (Punisher, Ghost Rider, Daredevil, Blade) in the MCU as of yet. In Moon Knight Essentials Vol 1 we saw MK team up with Spiderman, Hulk, and a few others which could be great (I’m always up for more Spiderman!!).

And of course there’s always this Moon Knight series/season finale tweet to read too much into.

The Wait is Almost Over

Welp, that’s all I have so far. Soooo looking forward to tonight’s episode. There’s only one more to go! I’m sure I’ll be back next week with another of these posts, but in the mean time, help me wait with a little speculation of your own. Which theories did you like the best? What didn’t I mention (probably a lot).

Please leave your thoughts in the comments. Can’t wait to catch up with everyone on this! See you next time.

Moon Knight Unwrapped: 4 – The Tomb

I can’t believe we’re already two thirds through this amazing show, but dem’s the breaks, so let’s talk about this episode while we can, and get ready for the fifth(!) episode to air tonight. If you’re interested in catching up on any of my previous posts about this show, please check out my Moon Knight Unwrapped tag. Might be fun to see what theories I’ve had come true, and which were a bust.

Anyway, Episode 4: The Tomb was definitely my favorite episode so far. We went full Indiana Jones in this episode, finally raiding the tomb of Ammit, and having to solve some puzzles along the way which we could only do by knowing a thing or two about Ancient Egyptian history and mythology.

— Spoilers from here on —

The clue they have to decipher is the Udjat Eye (or Eye of Horus), which allows Steven and Layla to figure out which way to go in Ammit’s mazelike tomb. I really enjoyed the inclusion of this motif as it is one of the most prominent icons of Ancient Egyptian mythology and culture. It is often used as a macguffin of sorts with characters having to find an amulet engraved with this symbol, or in some cases the literal eye of poor Horus. But here it is just a key which allows them to unravel the latest puzzle.

Unfortunately, as Roxane Bicker points out, a bit of creative license was used in Moon Knight as well, but I still thought it was cool.

One of the episode’s major reveals, was who exactly was buried in Ammit’s tomb (and therefore presumably their original avatar). It turns out to be Alexander the Great! Again, Bicker can catch you up on the important background info relevant to Moon Knight.

I’ll admit, this was a complete surprise for me, and honestly not a particularly rewarding one. Alexander the great is a hugely important figure, but not a particularly Egyptian one. Also, with all the hints and clues this show leaves lying around to tease viewers about what future episodes may hold, I don’t feel that this was foreshadowed at allllll. Which doesn’t seem fair.

Anyway, I still enjoyed raiding the tomb with Steven and Layla (I forgot to gush about the creepy Heka priests!), and the burial chamber itself was completely amazing, and exactly the type of thing that I have been wanting from this show (or any show) for the previous three episodes up until this point. So, I refuse to be upset hahah.

I guess the next big reveal which needs to be discussed is Marc getting shot, and “falling” into an insane asylum, where he’s clearly been staying for quite some time. This entire sequence gave me Jeff Lemire vibes, specifically his first book, Moon Knight Vol 1: Lunatic.

In these issues of the comic, Marc is trapped inside an insane asylum and must fight his way out with some help from established characters from previous comics, who are also committed. In the comic version, Marc’s therapist is Ammit, who Marc sees as both a normal woman, and the crocodile headed demon depending on how shaky his mental state is. She is not the main villain of the three book run, and Marc ends up facing off against Khonshu by the end.

I really hope that this not what happens in these next two episodes as I’ve somewhat grown to like our bossy, yelling, tantrum-throwing moon god . . . but we’ll have to wait and see.

Last but not least, we see Tawaret in the final shot of the show. She says “Hi!” in the cutest possible voice, and hilariously, Marc and Steven (finally separated) scream in fright.

I’ll be honest, I had no idea what to make of this ending. I recognized Tawaret (who was properly foreshadowed in the first episode), as a hippo goddess associated with pregnancy and motherhood, but I’ve got next to nothing on what her role will be in Moon Knight. I guess we’ll have to see.

Theories . . .

Not a ton for you in theory land this time around even though we got tons of reveals and new information over which to speculate. I would definitely check out New Rockstar’s Episode 4 Easter Egg Break Down for anything you missed and a couple great theories coming out of there. For me though, I’m thinking about

Jake Lockley Appearance?

I really want to have some fresh original take on this, like “Steven’s third identity (still encased in that third tomb) is so-and-so, not Jake.” But unfortunately, I just don’t know who else it could be. Jake Lockley is just sooo prevalent in the comics, so I think it almost has to be him. However, so far none of the identities we’ve seen in the show have been very similar to what we saw in the comic. If it is “Jake”, I don’t think it will be like any Jake we’ve seen yet. Given the blackouts we witnessed in Episode 3, I’m assuming that he will be much more violent and scary than anything we’ve seen yet. Whatever it is, they better hurry up!

The Asylum is the ‘Overvoid’ which is why we saw Tawaret

I’m really hoping that the asylum is not Marc/Steven/Whoever’s true reality, and that he’s actually been sent to the “Overvoid” which seems to be the place where all the Gods hang out. Perhaps the reason it looks like an asylum, is because mortal minds cannot handle so much of the divine (or alien) in one place and so they hallucinate a reality they can believe. Since our MC has DID, perhaps an asylum is something it can make sense of. Whether the Overvoid is a heavenly Field of Reeds, or the hellish Duat, we will have to wait and find out . . .

The Climax of this show will involve Steven/Marc Freeing the entombed Gods from their Ushabti

As much as I really enjoyed this episode, one thing kind of bothered me. As soon as they got inside the tomb, Steven/Marc and Layla were so completely focused on finding Ammit’s Ushabti and preventing Harrow from getting it, that they completely forgot about Khonshu! In episode 3, right as Khonshu is crumbling to dust, he tells Steven to make sure Marc saves him . . . they did NOT do that AT ALL.

So, my prediction is that this objective is still on the table, and that once we’re out of the asylum/overvoid, we’ll head back over to Giza and start bustin gods out of statues. My hope is that in order to finally get to Khonshu, they’ll have to bust out many of the other gods we see thereby releasing them as players in the larger MCU. From promo posters, we can see Khonshu, Anubis and his scales, and (hopefully) Sobek.

We’ll just have to wait and see . . .

The End . . .

Well, that’s all I have for you this round. What does everyone thing. Will we get to see more Ancient Egyptian Gods Running around in the MCU? Which are you hoping to see the most? What other thoughts and theories do you have about this episode?

Please leave em in the comments. See you next time!

Moon Knight Unwrapped – Ep2: Summon the Suit (review + theories)

Well, it’s Wednesday morning again, and I’m gearing up for watching another awesome episode of Moon Knight when I get home from work, but first I thought I’d do what I always do here, and review Moon Knight Episode 2: Summon the Suit and then spout off any theories I’ve managed to come up with. As it’s been essentially a full week since this episode came out, many people on the internet have already done a lot of amazing analysis, so there will be a lot of linking, and hopefully I’ll be able to come up with a meaningful idea of my own. We’ll just have to wait and see.

If you haven’t already read my review of Moon Knight Episode 1: The Gold Fish Problem, I’d love it if you checked that out first! Also, I’ve been talking a lot about Moon Knight on this blog, so you can check out my reviews of various “essential” MK collections, and individual runs on the character (right now I’ve only covered Jeff Lemire, but at least one collection of Warren Ellis’ issues should be up Friday). Also, if you haven’t watched episode two yet, go watch it! From this point forward, spoilers abound . . .

Great, on to the Review!

Long story short, I’m still just as fascinated with this show as I was last week. I don’t suspect this will change as it seems like they’re really busting out all the stops for it. There seems to be sooo much going on that even a second watch doesn’t feel like enough to really soak it all in.

I think what I’ve been enjoying the most, is that they’ve injected quite a bit of humor into the dialogue and in this most recent episode, it took on a much more physical form. I’m thinking particularly of Mr. Knight’s/Steven’s fight with the jackal. Crushing his head on that poll, sticking the landing, and then falling over. It’s like if one of the three stooges became a super hero.

I’m also really enjoying how much Stephen and Harrow parallel each other as any good hero and villain should. They’re both vegan, they both were Khonshu’s Avatar, and they both serve deities who seem to have taken the judgement of mortals into their own hands, and use violence to enact their sentences. However, as Steven points out, with crucial differences. I just loved when Steven flips Harrow/Ammit’s logic on its head.

I think the show does a good job of balancing its horror influences, with its humor, and typical super hero action. Again Khonshu was legitimately terrifying while he chases Steven through the storage locker. It’s interesting how the god is framed almost more like a petulant child when Harrow is around to ground Steven. It seemed a weird change up, but then seeing how domineering the god is with Marc, it feels like Khonshu’s character is determined by Marc/Steven’s perception in real time.

When Steven is scared of losing his mind, the god is shown like the great evil of a horror film. Marc seemingly feels guilty (probably about the deaths by his hand / people he failed to save, at the dig site, and so Khonshu becomes the type of god who would collect a debt. At the end of the episode, we see mark drinking heavily, and perhaps I’m reading into it, but it almost seems like he’s coping with some kind of PTSD (which would totally make sense if he was a mercenary).

We got the answer to a LOT of questions in this episode, for instance:

  • Who is Marc Spector? – He’s a mercenary, who’s done bad things at a tomb in Egypt. He has a wife, and it’s him who has been dragging Steven along on these blacked out adventures.
  • Who is Layla (who called him so many times)? – Marc’s wife, a total badass who knows her Egyptology (I was totally cringing at Steven trying to mansplain) and can fight like Sydney Bristo. She seems to know about Marc’s powers and the Scarab so they must have been very close . . . I’m guessing she also knows about Khonshu although I’m not sure if that is explicit.
  • “So you guys are talking again?” – Steven’s mom may/may not be real, but Marc’s mother seems to be alive and on bad terms with her little boy.
  • Who is Khonshu? – An Egyptian god who seeks justice through punishing evil doers. He’s got a bad ass enforcer/avatar called the Fist of Khonshu, aka the Moon Knight
  • What’s with the Scarab? – The Scarab is (at this point) a compass which points to Ammit’s Ushabti and tomb (where ushabti are usually buried).
  • What’s Harrow’s motivation? – Get the scarab, use it to find Ammit’s tomb, resurrect the ugly crocodile/lion/hippo monster and bring peace to the galaxy. Also, probably to get back at Khonshu for whatever reason they are no longer god/avatar.

Which has me a tad nervous for the pacing of this show. From what comics I’ve read, there isn’t a ton more backstory to reveal, and so the adventure must be a lot of new material moving forward.

However, we did get some new mysteries to ponder as well, such as:

  • Why was Khonshu banished / not liked by the other gods?
  • What debt must Marc repay? Just that Khonshu brought him back? Or is there something else he’s trying to atone for?
  • Why do Marc and Layla want the Scarab? Obviously now they want it to prevent Harrow from raising Ammit, but it seemed like they had another reason before they new about Harrow? Maybe I’m just reading into things

Finally, I’m just dying to see how Crawley’s role is going to expand as the season goes on. He’s a very prominent character in the comics which is only just given little bit parts so far in the show. Looking at you statue dude.

Theories . . .

This is the part where I’ll probably do a of linking to other’s analysis but hopefully you’ll still learn something new, and maybe I’ll think of an original thought. Let’s get to it:

More on the Scarab Translation:

Last week, I pointed to Roxane Bicker’s “Moon Knight“ – Der goldene Skarabäus for the translation. Since then, it seems like multiple channels are translating the scarab. The subreddit r/AncientEgyptian has translated the scarab, and then of course, New Rockstars has a scarab translation too with input from Egyptologists Dr. Dan Potter, and Ken Griffin. They write:

O Khepri, amid his boat, primeval one,
whose corporeality is infinity/eternity,
may you rescue Osiris Amenhotep, true of voice.

They also mention that this text is very similar to a passage from The Book of the Dead. I think I’ve mentioned the god Khepri in previous posts and of course Osiris . . . Honestly I’m not sure just what to make of this but perhaps it could mean literally someone needs to be rescued. Also I’ve seen ‘true of voice’ often translated as ‘justified’ so perhaps, if this is referring to Marc/Steven, perhaps it could mean that he is ‘justified’ and won’t be punished.

Also to consider:

“The function of the heart scarab was to bind the heart to silence while it was being weighed in the underworld to ensure that the heart did not bear false witness against the deceased”

https://en.wikipedia.org/wiki/Heart_scarab

If it is a heart scarab perhaps it will offer Moon Knight some protection in a climactic final judgement (battle).

Jackal Summoning Translation:

As if knowing Ancient Egyptian hieroglyphs was not enough, apparently we should also brush up on our Coptic. Again, r/AncientEgyptian comes to our rescue with a translation of Harrow’s speech as he summons the jackal. The first bit seems to be simply “Awaken, awaken, awaken”. A little anticlimactic, but I’m sure the rest of the translation will come soon . . .

Did Egyptian Gods have Avatars?

In “Moon Knight“ – Die altägyptischen Hintergründe erklärt, Teil 4, Bicker more or less tells us no. Pharaohs were considered conduits to the divine, and a kind of divinity in their own right, but avatars as we think of them (and how they seem to be displayed in the show) are a Hindu concept and not Ancient Egyptian.

Aspects of the soul and Steven’s Ka

Hieroglyph for Ka

In 9 Things About Ancient Egypt I Hope We See In Marvel’s #MoonKnight, I talk about how Ancient Egyptians conceived the soul as having many aspects. In Summon the Suit, I believe we’ve revealed yet another aspect of our main character’s soul in Mr. Knight. The Ka is often thought of as a “double”, but we can also see the out stretched arms of the glyph for Ka as representing a part of the soul offering divine protection which survives the body after death. It’s interesting that Marc seems to have this divine protection in Moon Knight after he dies in Khonshu’s tomb. I believe Steven ‘dies’ after smashing his head against that lamp poll and his Ka, Mr. Knight, survives to protect him.

Probably reading into this part of things too much, but I still feel that the show is using each the main character’s identities to represent aspects of the ancient egyptian soul, although my working theory seems to be pretty thin. We’ll see as time goes on.

That’s all I got . . .

Yup! We’ve reached the end of the road so far. I’m definitely looking forward to next week’s episode. I hope you’ll join me for another edition of Moon Knight Unwrapped.

But if you’re still here now, what was your favorite part of the episode? Any thoughts on all the craziness we’ve seen so far? Anyone know coptic?

Leave your answers in the comments. I’m super hype to talk about this!

Moon Knight Unwrapped: The Goldfish Problem (Review + Theories)

Welcome. Welcome. FINALLY we get to talk about the first episode of the Moon Knight TV show!

It feels like I’ve been waiting forever to write this post, and I’m both sad and happy to say that it’s going nothing like I expected.

My original intent for these posts was to watch the show Wednesday night, sleep on it, and then type up a recap the next day. I felt uniquely qualified to handle such a task because I’ve written a lot of reviews on this blog about Ancient Egypt in fiction, studied the culture and history as research for my own fiction (of which only a short story, Narmer and the God-Beast, is completed), and even taken a few lessons in how to read hieroglyphs. In preparation for this show, I’ve been trying to catch up on Moon Knight comics (see my review of Essential Moon Knight Vol 1, and Jeff Lemire’s Vol 1: Lunatic, Vol 2: Reincarnations, and Vol 3: Birth and Death) and I’ve had a great time doing so, but I’ll admit that my main interest still continues to be the Ancient Egyptian aspects of the story (although multiple personalities is also pretty damn skippy. Sorry my alter ego who thinks he’s Mickey Avalon is showing through).

But this is not a recap . . .

Correct! No! Whichever! After only one episode, I’m realizing that there is just TOO MUCH for me to be able to (on the timeline I had hoped) figure everything out and get it written down. I have a job, and other writing projects, and there are tons of other people who are terribly more qualified than me (both in knowledge of Marvel, and in Egyptology) who have taken up the torch . . .

So, I’m retooling the purpose of these posts. They will probably be similar to other posts I’ve written here, where I’ll talk about what I liked and didn’t like about the show. Gonna try to get these finished for Tuesday or Wednesday mornings, so any one reading it can check it out before starting the new episode.

Finally, if you haven’t watched The Gold Fish Problem, and aren’t planning on it before reading my post, Leah Schnelbach has written a pretty thorough recap in A Meet Cute with Ammit in Moon Knight’s Pilot “The Goldfish Problem” and of course Eric Voss has already done a Moon Knight Easter Egg Break Down for New Rockstars.

Anyway, enough housekeeping, let’s get to the review!

Wow! Just wow!

If you couldn’t tell, I really enjoyed almost every facet (of which there are many) of this first episode. The introduction was unique (not many shows start with the villain), and shocking (who puts glass in their sandals?!) and hooked me from the very beginning.

Then we see the strange sleeping routine of Steven Grant, and I’m hooked again! Dribble out a little Ancient Egyptian history; more hooks. Begin suggesting some inconsistencies in the point of view through small details, and then wham! Literally knock our (and Steven’s) jaw off with a globe trotting blackout, and some strange omniscient voice calling our MC an idiot (rude!). And then don’t let up . . .

Now, I won’t just keep listing plot points (because, after all, this ISN’T a recap), but there was a (cupcake) truck full of mysteries presented to us throughout course of the episode, and a staggering amount of details to hold in one (splitting) brain. Yet somehow, that was wonderful!

As I mentioned earlier, most of the details I was concerned with were related to how these personas tie in, and are effected by Ancient Egypt and its history and mythology. In this respect, Moon Knight certainly did not disappoint. We had references to many ancient Egyptian Gods, some of which I expected to see (check out 9 Ancient Egyptian Things I hope to see in Marvel’s Moon Knight for deets), but several (like Hathor) I did not.

And I just got the feeling that these gods were going to be so much more than just references and setting. Obviously Khonsu was to play a large role, but the inclusion of Ammit (and some creative license taken with her mythology) as well other gods, which are seemingly VERY active in mankind’s affairs is the type of treatment I’ve wanted to see this pantheon receive for a ages.

And there’s hieroglyphs everywhere, which obviously I tried (and failed) to translate. But still, what a trip. I can’t wait to see what is revealed through their inclusion as the show progresses (hopefully it won’t spoil anything).

Needless to say, I’m super excited for episode 2 and I can’t wait to hunt down and search for all the other little secrets this show has in store . . .

Theories . . .

So, this part of the post is probably going to contain a lot of links, but I think in the end, it will be worth it. In tracking them down, I feel like I’ve learned so much I didn’t understand before.

Theory 1: Werewolf by Night!

Definitely one of the most suspenseful scenes comes when Steven is leaving the museum and thinks that he hears a dog somewhere among the exhibits. Despite his better judgement, he pursues it and is attacked by some crazy, vaguely canine creature from which he’s eventually saved by his alter, the titular Moon Knight.

Me watching the first episode lol

Now many seem to believe that this dog is either the god Anubis himself, or some kind of minion of the same. Even given all of the creative license the show takes with Ammit, I just don’t buy this connection. We see Anubis in Lemire’s Vol 1: Lunatic, in which he helps Marc to escape an asylum (although there is a cost). Later, in Vol 3: Birth and Death, Anubis helps Marc reenter the asylum after Marc saves his wife Anput. I don’t believe Anubis was ever represented in ancient Egyptian myth as malevolent although his role in guiding the dead and ultimately working the scales of Ma’at at a soul’s judgement probably did not endear him to many mortals. Still I’m not convinced.

Of course, Anubis was not the only jackal-head deity in the Egyptian pantheon. Wepwawet, or the “Opener of the Ways”, could be a likely candidate. He has a more wolf-like appearance then Anubis, and as a war deity, was often invoked before battle to scout and provide generals with critical information for victory.

Finally, as Ethan Hawke said in the featurette, “Every aspect of this show has a duality.” Perhaps this creature may also be serving a dual purpose in the first episode. Not only could it serve as a new addition to the gods represented in the Moon Knight cannon, but also as an homage to the original comic Moon Knight appeared in, Werewolf by Night, in which he hunts a werewolf named Jack Russel (lolz).

Hathor = Sekhmet

Another interesting cause for speculation, is the addition of Hathor into the Ennead which was a group of nine gods worshipped at Heliopolis (for an great piece about Moon Knight’s use of the Ennead and a lot of other ancient Egyptian iconography, please check out Roxane Bicker’s “Moon Knight“ – Die altägyptischen Hintergründe erklärt, Teil 1. She’s amazing! It’s in German but google translate seemed to have no trouble).

I think this actually has more to do with Marvel lore, than ancient Egyptian myth. Marvel has a group of Egyptian inspired gods called the Heliopolitans. You’ll notice that Hathor is not counted among their number here either. However, the lion goddess Sekhmet is. In ancient Egyptian mythology, it would seem that Hathor and Sekhmet are somewhat similar, or maybe interchangeable (wikipedia says “Ra sends the goddess Hathor, in the form of Sekhmet . . .).

Marvel’s own wiki, also seems to keep a Hathor/Sekhmet duality (there it is again!) with the lion goddess being born as Hathor, and then becoming Sekhmet because of blood lust.

There’s some math here but, I think in the logic is something like:

Ennead = gods worshiped at Heliopolis = Heliopolitans

Sekhmet is a Heliopolitan

Hathor = Sekhmet (because of blood lust)

Therefore Hathor = Heliopolitan = god worshipped at Heliopolis = Part of the Ennead

Scarab text might somehow refer to Akhenaten . . .

For this, I’m just blatantly using the ideas of the aforementioned Roxane Bicker and Michelle (TardisInATeacup). I tried to work out the hieroglyphs etched into that gleaming macguffin, but ultimately I was only able to get almost through the first line:

Not bad?

However, Roxane translated the whole thing in her post “Moon Knight“ – Der goldene Skarabäus (the last post in this series “Moon Knight“ – Die altägyptischen Hintergründe erklärt, Teil 3 is also great).

Essentially we get:

“O Chepri on the heart,

his bark, the one wrapped around the neck,

his eternity for your Ba,

Osiris Amenhotep the justified”

There’s a lot to think about here. Khepri is another god who in real life would have been worshipped Heliopolis, and later Thebes. His name invokes ‘transformation’. The Ba is one of the aspects of the soul, even as Steven has many aspects of his personality. Osiris is usually the name given to the deceased, in this case Amenhotep?

And then this last nugget:

Conclusions . . .

While I think we’ve discussed a lot here, I’m not sure I’ve actually managed to ‘unwrap’ completely, any of Moon Knight’s mysteries. In any case, I’m anxious for episode 2, and I’m sure the answers to these questions will only bring us more questions. And this is somehow wonderful.

Let me know your thoughts in the comments! What burning questions are you trying to get answered. What aspects of ancient Egyptian art, myth or culture are you hoping to see in this series! Looking forward to hearing from you all!

Moon Knight Vol. 1: Lunatic (Review)

I don’t think I’ve ever reviewed a comic book (graphic novel?) before, either here on the blog or anywhere else, cause in all honesty, I haven’t really ever read them. I own A Game of Thrones Graphic Novel and a couple 007 comics, but I’ve never got around to reading them.

But after seeing the Moon Knight trailer, and coming up with a couple (ok 9) things I hope they do in the Moon Knight show, I wanted to give it a shot and see what all the fuss was about. So here we are.

The first Moon Knight related thing I was able to find was Moon Knight Volume 1: Lunatic, by Jeff Lemire. As an introduction to the character, I’m not really sure this was a good starting place for me. It seems that Lemire’s work assumes that you’re not just familiar with the character, but you have read the previous iterations of the comic before. Purportedly, (from the description on Goodreads) this volume should:

“. . . [call] everything you know about Moon Knight into question.”

https://www.goodreads.com/book/show/28963358-moon-knight-vol-1

But I didn’t really know anything about Moon Knight to begin with, so I felt like I was catching up most of the time. As such, it’s a little hard to judge whether or not the story was well crafted or not, or even satisfying to read. I can say that in general, it may have tried to do too much, and relied too heavily on the reader’s knowledge of previous iterations of the story, often at the cost of coherency.

I don’t think it’s much of a spoiler to say that the main thrust of the plot is Marc Spector’s attempt to escape from a mental ward, and he has several companions who help him do so. Each appear to have a long history of working with Marc, if only he (and they) can remember it. You are given bits and pieces of that history in flashes, but unfortunately the reader is often still wondering who the heck these characters are.

I did enjoy the depictions of ‘New Egypt’, a kind of post-apocalyptic version of New York which is covered in broken down buildings, sand, and pyramids. It was also fun to see some my favorites from Egyptian mythology show up. I thought the Emmet/Ammut wordplay was fun, and that Ammit — traditionally depicted as a mix between crocodile, hippopotamus, and lion, who supposedly would devour your heart if your judgement went badly, and your heart weighed more than the feather of Ma’at — was an interesting choice of villain. Also fun to see Anubis although I’m not entirely sure what if any symbolism we’re supposed to take from his actions.

Finally, I’m definitely intrigued by the role Khonshu, Seth (who I believe is supposed to be Ancient Egyptian god Set) and the other gods play in this world. It was a bit Ancient Aliens for my tastes, but I’m willing to keep an open mind and see what comes of it.

Worth it?

The short answer to this question I suppose, is yes. Although, I believe that this one will probably be more enjoyable to long-time fans of the character, and if you’re new like me, then maybe look into trying to find some of the older iterations first to give yourself a baseline.

For what it’s worth, I’ve requested volume two.

Well, that’s all I’ve got for this so far. Has anyone reading been a long-time fan of this character? Did all the references make sense to you? How’d you feel about the end? What did you Egyptophiles think? Any history or mythology you were hoping would make an appearance? Please leave your answers in the comments. Looking forward to chatting about this one!

See you next time!

Narmer And the God Beast Cover Reveal!

As I alluded to in my July Newsletter, I have worked up a short story in my ‘Egypt and Dinosaurs’ setting. It is called Narmer and the God Beast. As I so eloquently put it then:

“I even paid for a cover and everything . . . “

https://alligatorsandaneurysms.wordpress.com/2021/07/02/july-newsletter-new-fiction-master-of-secrets/

Well, that cover is here. It was created by illustrator Lee Eschliman who is absolutely fantastic. You can take a look at his other work on instagram. Lee’s artwork has been in my life since I can remember. One of his logos graced the deck of my very first skateboard (if you can believe I used to skate) and he’s influenced several of my hobbies overs the years. I was absolutely ecstatic that he was willing to craft the cover for my story. It turned out simply amazing.

Anywho, without further ado, here’s the cover for Narmer and the God Beast (and the back cover blurb to pique your interest):

Had I anything in my heart but hate for my brother and pity for myself . . .

I may have suspected I was about to meet a god.”

Broken and bleeding into the cool Nile waters – shattered by his brother’s cruelty – young Narmer pays the crocodile no heed as it enters the stream. Let it come.

But the hunter swims on, and only then does Narmer know its aim, the defenseless god-beast drinking and playing up-river.

Dinosaurs will again roam the desert sands, uniting the disparate Two Lands into one great Egypt, if Narmer can drive off the crocodile, if he can endure his brother’s malice.

If he can save this sacred creature and be saved by it . . .


So, there you have it. Narmer and the God Beast is officially announced. The launch on Amazon will take place on October 4th, but you can also preorder it now. I’m going to be doing a series of posts this month about my influences for the story and how it came together so stay tuned for those. Some stories and teasers in this world have already been posted on this blog so look for them on my fiction page.

And finally, you can just follow my progress on things and get quarterly updates and new fiction by subscribing to my newsletter at https://jdweber.news/EgyptAndDinos. For signing up, I’ll send you a copy of the first story I every wrote about a warlock doctor.

See you next time!

*Update 9/14 – I’ve begun posting some of the “influence” posts I mentioned before. Here’s what I’ve completed so far: