The Lost Dinosaurs Of Egypt (review)

Looks like there is still one more post in my influences series for Narmer and the God Beast.

That last influence being . . . The Lost Dinosaurs of Egypt.

This book ended up being a really inspiring read although I’ll admit that I did put it down once, and did not finish it until long after I’d written both NATGB and my novel set in the same universe.

Essentially, The Lost Dinosaurs of Egypt is more about people than it is about dinosaurs. It tells the story of two discoveries within the Bahariya Formation in Egypt. The first, is the original survey of the oasis during 1910 and 1911 by a German paleontologist named Ernst Stromer. Stromer is credited with the discovery of several dinosaurs from the region, namely: Aegyptosaurus (currently the name of my novel), Bahariasaurus, Carcharodontosaurus, and the incredibly weird and bad-ass Spinosaurus aegyptiacus.

We also get the story of the ‘Bahariya Dinosaur Project’ which consisted of many paleontologists and geologists (in no particular order): Joshua Smith,  Matthew C. LamannaKenneth J. LacovaraPeter Dodson, Jennifer R. Smith, Jason Charles Poole (called Chewie by the group), Robert Giegengack and Yousri Attia. It seems they found many different fossils during their trip in the 1999 and the winter of 2000, but will mostly be remembered for their discovery of a new Sauropod named Paralititan Stromeri (the God Beast in NATGB).

Sounds Awesome, Why Put it Down?

Correct it is awesome. I learned so much reading this book, but when I first picked it up, I was simply not uncovering the types of information I was looking for. I think I came to the book hoping that it would be more dinosaur centric. I had read the wikipedia pages for each of the dinosaurs referenced above and was completely fascinated by them. I wanted to go deeper into what they were like and how they really lived. What did they eat? How did they move? Or raise their young?

And to TLDOE’s credit, it does open with a pretty speculative section about the Paralititan which the Bahariya Dinosaur Project found, but it is only a page or so long and then we move on to the tragedy of how the dinosaur fossils were lost. This section is mainly about air force pilots, and military technology. World War I things.

It just wasn’t what I came to the book for . . .

But after trying again?

Picking up the book later though, after most of the writing was complete, I found it much more enjoyable. It was cool to see the parallels between Stromer’s work, and the Bahariya Dino Project’s (they even discovered some of Stromer and Markgraf’s old dig sites with plaster still in the ground from nearly 100 years ago!). I found the history of paleontology discussed within the book fascinating. And was proud to recognize a few names I learned in Why Dinosaurs Matter (indeed the author of that book, Kenneth Lacovara, was part of the ‘Barhariya Dinosaur Project’).

Generally getting to know the team members of ‘The Bahariya Dinosaur Project’ was fun as well. Apparently two members of the team are drummers (Lacovara, and Joshua Smith) and they recounted a bit about traditional Egyptian music and drumming which, as a drummer myself, I probably could have read a whole other book on (makes me wonder if there’s some deeper connection between liking drums and liking dinosaurs?).

There was also some really interesting information about traveling in Egypt, and what to watch out for, both in terms of people and wildlife (apparently Egypt is home to the most venomous scorpion in the world, foot long poisonous centipedes and camel spiders which apply an anesthetic to their prey before eating them . . . they’ll have half your face chewed off before you even wake up from sleeping . . . nope nope nope!)

But I think what I enjoyed the most which the book also explores, is some of the science behind Geology and Paleontology. I didn’t know much about how things are named or even what the different time periods of the earth’s history were. This book found a way to describe all of that without making it a boring lecture.

Finally, there were the fossils themselves. Not everything discovered at Bahariya was a dinosaur, and this book delved into those other finds a bit as well. I learned about prehistoric marine snakes (Simoliophis), some whales (Zeuglodon Osiris or Basilosaurus), and Paleomastadon. All creatures I’d like to add to future Egypt and dino adventures (one even has Osiris in the name . . . it writes itself really).

Then, towards the end of the book, what the Oasis must have looked like 95 million years ago. THIS!! This was what I had been wanting to read the whole time. I learned about prehistoric mangrove forests which Paralititan’s long neck would have helped it eat huge swaths of without having to move much (so the general conception of sauropods having long necks to reach high branches seems debunked in Bahariya at least where the long neck would have helped them reach outward not upward). And (at least part of) the answer to the mystery of how so many theropods (the clade of which all meat eating dinos are a part of) could have existed in the same area. They were feeding on the massive Paralititans!

So . . . it was good?

Yes! The Lost Dinosaurs of Egypt was an incredible read. Packed full of information, and generally well written. The copy I’m using is from the library, but I will probably end up buying my own copy to serve as a reference going forward. Highly recommend to anyone looking for a good Dino read.

That’s all for now. Thanks for reading all of this. Please let me know what your favorite dino is in the comments. From Bahariya? Or anywhere really. See you next time!

Still here? Awesome. I hope you enjoyed The Lost Dinosaurs of Egypt (review). As mentioned at the beginning of this post, this was a major influence on my own story, Narmer and the God Beast. I revealed the story’s amazing cover art and blurb a few weeks ago, illustrated for me by Lee Eschliman and I’ve been posting a bunch about my influences for this story all last month. The story’s official launch was on October 4th. If you like anything you’ve seen so far, you can head over to Amazon and order it now.

If you want more of my writing, please check out my fiction page, or consider signing up for my newsletter at It will give you access to exclusive fiction, special offers, and just my general life and nonsense (here’s a sample newsletter). Just for signing up I’ll send you an email with the very first story I ever wrote about a Warlock Doctor.

Thanks for your time, and I hope to see you around here more!

ICYMI: Narmer and the God Beast Live on Amazon!

Well, the title pretty much says it all, but I’ll still put a little bit of text here because I’d like to reward you for the click.

Monday saw the release of the first story in my ‘Egypt and Dinosaurs’ universe. Narmer and the God Beast tells the tale of a boy and his dragon, only that boy is a young king Narmer, the first Pharaoh of Egypt, and the dragon is a 30 ton dinosaur (paralititan stromeri, the Tidal Giant, to be precise). Together they can unite Egypt, but first they must endure and overcome Narmer’s brother Bahek’s cruelty . . .

I had an amazing cover done by Lee Eschliman, and have been ranting on all month about my influences for the short story and how the idea came to be. You can see the list of posts here:

Finally, if you’ve liked anything you’ve seen on this page so far and are hoping for more of this kind of thing in your life, I recommend signing up for my newsletter. It gives you access to exclusive fiction, special offers, and updates about my general life and nonsense (here’s a sample newsletter). Just for signing up I’ll send you an email with the very first story I ever wrote about a Warlock Doctor.

Anyway, thanks all for reading. This has been something I’ve waited so long to share with everyone, and a bit of a wild ride to get to this moment. I’m so thankful I was able to do this at all, and I’m hopeful there will be so much more where this came from (read as sequels and a novel! Lol).

As always, please let me know your thoughts in the comments. Thanks for reading all this and I’ll see you next time!

From the Primordial Ooze: The Genesis of an Idea

In Ancient Egyptian myth, it was thought that the world rose up from the primordial waters of chaos, in the form of a mound or pyramid (known as the Benben). From here the sun rose up next, thus creating the sun god (Ra or Khepri depending), and thus allowing other gods, people, and wildlife to form upon the mound (world).

With just four more days until the release of Narmer and The God Beast, I thought it might be fun to go over NATGB’s own creation story . . . how did this somewhat crazy idea rise up from the chaos.

Full disclosure: I’m not the only person in the world to think about dinosaurs roaming Ancient Egypt. I’m not even the first.

According to World News Daily Report (who’s slogan btw is literally: “Where Facts don’t Matter”), a Dr. Nabir Ibn Al-Sammud, “…one Egyptology’s most eminent figures”, has found a series of stone palettes that prove dinosaurs helped build the pyramids. Ancient Egyptians supposedly tamed “beastly creatures” of “enormous size” which were “tamed and used to carry the large limestone blocks that compose the pyramids.”


If this sounds ludicrous, and patently false, it’s because obviously it is. We’ve got the last dinosaurs going extinct 65 million years ago, and the first humans emerging in Africa 2 million years ago. In my mind, there seems to be no chance the two could have lived together.

However, if you’re still not convinced, No It Is Not has done a full take-down article, explaining that Nabir Ibn Al-Sammud is not even a real archeologist, and that the image of him next to a dinosaur carving is a doctored image of Dr. Don Patton, an avid creationist.

What’s perhaps the best part about all of this, is that there is so much misinformation around this one crazy idea, that even when articles try to prove it false, they still make mistakes. For instance, the blog for Michigan State’s ANP364: Pseudoarchaeology class (which I would soooo take) posted the article: Did Dinosaurs Build the Pyramids? NO! in which they give reasons for why the idea may have come about (long necked creatures on the Narmer Palette), and decrying it as “pseudo archeological insanity” (which it is). They continue on to discuss Serpopards (which I should really find a way to incorporate in my setting), and then state that despite everything they have mentioned earlier, Egypt and Dinosaurs do have a connection.

What could it be? Well apparently, “In 2014 a small raptor skeleton was uncovered in a small section deep within The Great Pyramid of Giza.” But check the date on the article they cited (the one I just linked) . . .

April 1st 2014 . . .

Are there any holidays on that day which might make us doubt the validity of something published online? The article cites a French archaeologist Avril Sap, of which I could not find any other publications for except another Egyptian Streets article about ‘Extraterrestrial Activity’ Discovered in King Tutankhamun’s Tomb . . . also published April 1st (of 2016).

I think someone is having a bit of fun 🙂

So what do we do in the face of such blind misinformation and conspiracy?

Join in obviously. (I mean heck The Dinosaur Lords exists)

Write a short story about the friendship of Narmer and his Paralititan companion, and their first step together in conquering the Two Lands and uniting this Great Egypt. Begin studying hieroglyphs in your spare time. Read about Bahariya Oasis and the dinosaurs which where discovered there back in the early 1900s and then again in the late 90s. Play a lot of Assassin’s Creed Origins and wish the next boss fight was against Spinosaurus. Post about influences on your blog. Write a novel . . .

Like the Benben mound which rose up out of the primordial ooze, this one idea has risen up from the chaos of the internet, and inspired an entire world of myth and stories I’m just brimming to tell. But it all started here, with a simple conspiracy about Narmer and his God Beast.

Thanks for reading this somewhat wild ride of a blog post. What’s the craziest conspiracy theory you’ve ever heard? Where was the most surprising place you heard is touted as fact? Please leave your answers in the comments. I’m sure there’s all kinds of stuff I haven’t even hit the surface of.

Still here? Awesome. I hope you enjoyed From the Primordial Ooze: The Genesis of an Idea. You’ve pretty much just witnessed the creation of Narmer and the God Beast. I revealed the story’s amazing cover art and blurb a few weeks ago, illustrated for me by Lee Eschliman and I’ll continue to be putting out posts about my influences for this story all month until the story’s official launch on October 4th. If you like anything you’ve seen so far, you can head over to Amazon and preorder it now.

If you want more of my writing, please check out my fiction page, or consider signing up for my newsletter at It will give you access to exclusive fiction, special offers, and just my general life and nonsense (here’s a sample newsletter). Just for signing up I’ll send you an email with the very first story I ever wrote about a Warlock Doctor.

Thanks for your time, and I hope to see you around here more!

Death Dogs: The Jackal Gods of Ancient Egypt (review)

Hi all. We’re just 13 days out from the release of my short story, Narmer and the God Beast, so I’m here with another Ancient Egypt themed post. I’ve been doing a series of posts about my influences for the story (to which this one will be added), so please check those out if you’re interested.

Now, what is Death Dogs: The Jackal Gods of Ancient Egypt by T.G. Wilfong, and how has it influenced my writing so far?

Well, in some respects, the answer to that question is is somewhat misleading.

Artwork from the Age of Mythology Wiki

When writing Narmer and The God Beast, my knowledge of jackal-headed gods was quite limited. I had heard of the god Anubis before and was vaguely aware of him from movies like The Mummy Returns, or games like Age of Mythology. He seemed a fierce thing, more brutish warrior than anything else. Any contact he had with the living seemed a brutal punishment and a promise of suffering in the afterlife.

In my own story, Narmer must retrieve linen from the ‘House of Anubis’, and my research focused on the things he might find within an embalmer’s workshop. Things like natron salt, linen wrappings, ointments made from frankincense, myrrh and ox fat. I focused on the implements of mummification, such as chisels, knives, and spoons.

But eventually I found that there was so much more involved in the ritual and service provided for the dead, that my opinion of this god began to change. The embalmer’s workshop might also contain stone sarcophagi, faience ushabti (for a great story about shabti, I highly recommend Robert Sharp’s The Good Shabti), gilded silver masks with calcite, obsidian, and onyx eyes! I also read that the bones of the gods were made of silver and their flesh was made of gold . . .

There was much more here than I had ever imagined.

My search took me to Cynopolis next. A city from the Ptolemaic times dedicated to Anubis and his followers, the ‘cult of the dog’ (Cynopolis means ‘City of the Dog’). I go into further depth about this amazing city in my post Ancient Egyptian Doggos! (I even try to imagine what such a place would be like) but needless to say, I was awestruck a second time. Cynopolis ended up becoming one of the many locations my (unreleased) novel’s protagonists visit during their adventures.

But still, there was still more to learn: enter Death Dogs.

I genuinely feel, this book will be a fascinating read for anyone interested in ANY of the jackal-headed gods which Ancient Egyptians worshipped. Yes, MANY jackal-headed gods.

The book opens with the one we’ve already talked about, Anubis, but its understanding of this deity is much more nuanced than anything I’d yet come across.

It explains that sometimes Anubis is depicted as a man with a jackal’s head, but is more often shown as a sitting/laying jackal with jet-black fur and starkly pointed ears. He’s a mysterious figure, who’s name and visage invoke as many meanings as there are grains of sand in the Sahara. For some, he is a grim reaper like figure, coming to collect the dead and show them to the afterlife. For others, a protector of the dead, standing watch over their graves. Anubis alone knows the secrets of the embalmer’s hut and guards them with unbridled ferocity.

It was information read in Death Dogs which inspired a second (and more recent) short story which I wrote as a newsletter exclusive called Master of Secrets.

And of course there is still more!

For instance, who are the other jackal gods I mentioned earlier? What could their role be in this intricate and intriguing mythology. For instance, what role could the jackal-headed Wepwawet — The Opener of the Ways — play in the future adventures in this setting? Who was Duamutef? What does it mean to be the son of Horus the Elder . . . ?

Seems like that could be our Jackal headed friend standing next to St Christopher . . .

I’m pretty much brimming with ideas for stories I could tell after reading this book.

Finally, the book also talks about how the jackal headed gods of Ancient Egypt were perceived throughout the ages and in the modern day. We’re pretty familiar with the imagery I described above, but it was interesting to learn that, until the Anubis Shrine was found inside the Tomb of the Pharaoh Tutankhamun in November of 1922, there were not many images of Anubis which had survived.

The idea of Anubis, and various myths and stories of Ancient Egyptians had morphed and changed through incorporation into Greek (see Hermanubis) and then Roman ideologies, falling victim to millennia-long games of telephone.

I could continue writing this post for seemingly forever, but I think it’s probably better just to recommend you read the book. I’m anxious to research deeper into the topics discussed within, and maybe visit the Kelsey Museum someday to see if I might glean anything new from seeing the artifacts shown in this book in person.

Anyway, that is all for now. What’s your favorite fact about jackal-headed gods? Your first exposure to Anubis? Let me know in the comments.

Still here? Awesome. I hope you enjoyed Death Dogs: The Jackal Gods of Ancient Egypt (review). As mentioned at the beginning of this post, this was a major influence on my own story, Narmer and the God Beast. I revealed the story’s amazing cover art and blurb a few weeks ago, illustrated for me by Lee Eschliman and I’ll continue to be putting out posts about my influences for this story all month until the story’s official launch on October 4th. If you like anything you’ve seen so far, you can head over to Amazon and preorder it now.

If you want more of my writing, please check out my fiction page, or consider signing up for my newsletter at It will give you access to exclusive fiction, special offers, and just my general life and nonsense (here’s a sample newsletter). Just for signing up I’ll send you an email with the very first story I ever wrote about a Warlock Doctor.

Thanks for your time, and I hope to see you around here more!

Who was Narmer IRL?

I’ve recently revealed the cover for some upcoming fiction of mine, Narmer and the God Beast, in which a young boy, Narmer, has been brutalized by his brother Bahek, and floats — bleeding — in the Nile, just waiting for a crocodile attack to finally kill him. Instead, he discovers a young Paralititan (a brontosaur-like dinosaur) playing in the river and realizes that it is in danger. What he does next will cement his legacy in the history of Egypt forever.

Obviously, my story is a work of fiction, and the final product is the work of my own (possibly deranged) mind, but I drew from many different sources when concocting the story. In fiction, it was Jackie French’s Pharaoh: the Boy Who Conquered the Nile from which I was drew a good deal of inspiration for Narmer’s character.

But Narmer was a real historical figure, credited for being the first Pharaoh, and the leader which united two halves of a disparate Ancient Egypt. A lot of what made it into my story, is pulled from what we know of him in real life.

My two main inspirations, were the Narmer Palette, and the Narmer Macehead, which really gave me an idea of the power this figure had, and the epic journey which he would need to go on to accomplish the feats attributed to him. And because I love words, the first thing that stuck out to me, was his name.

The Angry Catfish

Yes, you read that correctly. The name Narmer, comes from the hieroglyphs N’r and Mr which we would pronounce today as Narmer. N’r is represented by the glyph of a Catfish, while Mr shows a glyph of a chisel, which (according to wikipedia) means, “painful,” “stinging,” “harsh,” or “fierce”. I suppose I took a little bit of liberty to say that those things mean angry, but I think it’s a pretty good fit just the same. I believe the same chisel is also used in the word for ‘to be united in’, which seems to make a good deal of sense if Narmer really did unite Egypt under his reign.

But like many things in Ancient Egypt, the first pharaoh was more than just one thing. He had another name (which a lot of scholars seem to fight over whether either of these names is actually real), which was perhaps more fitting for a king, and conqueror. That name was Menes, which (also according to wikipedia) means ‘he who endures’.

These two names really shaped my conception of Narmer’s character.

So who was he IRL?

At this point, it is still difficult for scholars to pull fact from fiction, and myth from legend, but it seems that this Narmer had quite a resume. After first Pharaoh, and unifier of Egypt, Narmer/Menes is credited with founding the city of Memphis (after diverting a canal), inventing writing (I think Thoth might have something to say about that), and bringing Egypt into a general era of luxury and prosperity. He supposedly liked to hunt, and was attacked by his own dogs, then saved by a crocodile, for which he founded the city of Crocodilopolis.

He’s been implicated in the biblical flood myth, either as Noah, or some other player. And then was finally killed one day by a hippopotamus.

Ultimately, all of this made it pretty difficult to figure out what Narmer was actually like, and try to formulate into a neat little character, so ultimately I kept it simple, and stuck with the basics: First Pharaoh and Unifier of Egypt. From here I could weave in other bits of Ancient Egyptian history which interested me, and not have to worry too much about contradicting reality (although I guess after I put dinos in the story that contradicted reality pretty hard).

Anyway, that’s all I have on the history of Narmer right now. I’m hoping to do more research in the future as I feel like I’m only just scratching the surface. Perhaps I can follow up with more later.

I’ll certainly be following up with more posts about my inspirations for the story, so please keep coming back and reading. What do y’all think about Narmer? Was he on the Ark? Could he ride a Crocodile? What’s the coolest thing you’ve learned about him so far? Let me know in the comments.

Thanks all, and I’ll see you next time!

Still here? Awesome. I hope you enjoyed Who Was Narmer IRL? As mentioned at the beginning of this post, this was a major influence on my own story, Narmer and the God Beast. I revealed the story’s amazing cover art and blurb last week, illustrated for me by Lee Eschliman and I’ll continue to be putting out posts about my influences for this story all month until the story’s official launch on October 4th. If you like anything you’ve seen so far, you can head over to Amazon and preorder it now.

If you want more of my writing, please check out my fiction page, or consider signing up for my newsletter at It will give you access to exclusive fiction, special offers, and just my general life and nonsense (here’s a sample newsletter). Just for signing up I’ll send you an email with the very first story I ever wrote about a Warlock Doctor.

Thanks for your time, and I hope to see you around here more!

Pharaoh: The Boy Who Conquered the Nile (Book Review)

So this is will be something of a hybrid post for me. On the one hand, I’m going to review Jackie French’s Pharaoh: The Boy Who Conquered the Nile, and give you my thoughts about the book, but on the other hand I thought it might be cool to consider how the book influenced an original piece of fiction I wrote, Narmer and the God Beast, which I revealed the cover for last week.

Here we go!

Review: I really enjoyed this book. French’s writing style is super accessible and easy to read, probably something that means success for this book in the juvenile fiction space, which I believe is the audience this book is written for (confirmed on Compulsive Reader in Interview with Jackie French). Typically, now that I’m an adult, I often find that reading YA or Juvenile fiction is difficult because it often seems ‘written down’ to its audience or super infused with things that the author believes are ‘hip’ or ‘what the kids like’ these days. I didn’t notice any of this in Pharaoh.

As for the story? I think it was definitely well researched, well imagined, and well realized if not quite what I was expecting.

I’ll start with well researched because it’s immediately clear to anyone reading this book that French put in work here. Not only is Narmer’s world immersive and rich with detail and vivid imagery, but you can then flip to the back of the book and see just where all detail came from. I think I almost enjoyed reading the research section as much as the actual novel as I learned a good deal about Ancient Egyptian culture, religion and history, and was inspired to pursue my own inquiries after finishing.

For instance, the land of Punt, which Narmer and The Trader travel towards in hopes of wealth and riches, was called Ta Netjer by the Ancient Egyptians meaning “The Land of God”. Ta Netjer does not play a roll in Narmer and the Godbeast’s story (yet), but it did become important to some other writing in this universe (ahem the novel — what?). Also, I have mild suspicions that it became the Ta Ntry of Chakraborty’s Daevabad trilogy as I think they are in about the same spot.

But I digress . . .

I say well imagined, because truth be told, there is not a ton of history (or literature) that covers this period of time. There are a few main artifacts associated with Narmer (his palette and his macehead) but otherwise, there is a lot that we still do not know. French had a pretty blank canvas to fill in (perhaps an advantage, but I know for me it would be a disadvantage) and I feel she did so beautifully.

Which brings me to well realized. Just read this passage:

It was like a dream, thought Narmer, as servant after servant brought in bales of panther skin, fragrant wood carved into delicate boxes, beads of lapis lazuli and turquoise, the bronze plates he now knew as mirrors, heaps of myrrh resin, slabs of ebony wood, piles of elephant tusk, small bowls filled with a strange, almost green-coloured gold, the rarest in the world, curls of cinnamon bark, khesyt wood, small coloured jars of incense, and eye cosmetics.

French, Jackie. Pharaoh: The Boy Who Conquered The Nile. 2007 pg 143. . . accessed on Compulsive Reader in A review of Pharaoh by Jackie French

I know while writing my own story, I definitely tried to re-create passages like this in order to immerse the reader in my version of Ancient Egypt (which has dinosaurs)

My last critique of this piece is unfortunately a bit of a negative one. I feel like when we see a title like “Pharaoh” and think of Ancient Egypt as the setting to a story, we have certain expectations. We want great pyramids, golden sands and golden jewelry adorning the living person of an ancient king, or the gilt sarcophagus of one long dead (mummies!).

I felt this book was a little slack on some of the imagery we often associate with ancient Egypt. I think this is because a good portion takes place away from Egypt, in search of Punt, and later, in Sumer (Mesopotamia). And the portions that are in ancient Egypt feel little like the Ancient Egypt we know. This Egypt is one of small river towns, long before any pyramids were ever built. This is accurate to the time period, but a little disappointing if you’re expecting “peak Egypt” (does that count as a pyramid joke?), or Ancient Egypt at the height of it’s glory and mystique.

So . . . Read it?

Oh yes, definitely give this one a read. The book is well researched, and French’s imagination despite little historical inspiration, is a triumph. Also, the book is just beautifully written and realized. After finishing, I immediately looked for a sequel but sadly, I could not find one.

Welp. That’s about it for the review. Have you read this one? Please let me know your thoughts in the comments. What were your favorite parts? Tell me everything . . .

See you next time!

Still here? Awesome. I hope you enjoyed Pharaoh: Boy Who Conquered the Nile (a Review). As mentioned at the beginning of this post, this was a major influence on my own story, Narmer and the God Beast. I revealed the story’s amazing cover art and blurb last week, illustrated for me by Lee Eschliman and I’ll continue to be putting out posts about my influences for this story all month until the story’s official launch on October 4th. If you like anything you’ve seen so far, you can head over to Amazon and preorder it now.

If you want more of my writing, please check out my fiction page, or consider signing up for my newsletter at It will give you access to exclusive fiction, special offers, and just my general life and nonsense (here’s a sample newsletter). Just for signing up I’ll send you an email with the very first story I ever wrote about a Warlock Doctor.

Thanks for your time, and I hope to see you around here more!

Narmer And the God Beast Cover Reveal!

As I alluded to in my July Newsletter, I have worked up a short story in my ‘Egypt and Dinosaurs’ setting. It is called Narmer and the God Beast. As I so eloquently put it then:

“I even paid for a cover and everything . . . “

Well, that cover is here. It was created by illustrator Lee Eschliman who is absolutely fantastic. You can take a look at his other work on instagram. Lee’s artwork has been in my life since I can remember. One of his logos graced the deck of my very first skateboard (if you can believe I used to skate) and he’s influenced several of my hobbies overs the years. I was absolutely ecstatic that he was willing to craft the cover for my story. It turned out simply amazing.

Anywho, without further ado, here’s the cover for Narmer and the God Beast (and the back cover blurb to pique your interest):

Had I anything in my heart but hate for my brother and pity for myself . . .

I may have suspected I was about to meet a god.”

Broken and bleeding into the cool Nile waters – shattered by his brother’s cruelty – young Narmer pays the crocodile no heed as it enters the stream. Let it come.

But the hunter swims on, and only then does Narmer know its aim, the defenseless god-beast drinking and playing up-river.

Dinosaurs will again roam the desert sands, uniting the disparate Two Lands into one great Egypt, if Narmer can drive off the crocodile, if he can endure his brother’s malice.

If he can save this sacred creature and be saved by it . . .

So, there you have it. Narmer and the God Beast is officially announced. The launch on Amazon will take place on October 4th, but you can also preorder it now. I’m going to be doing a series of posts this month about my influences for the story and how it came together so stay tuned for those. Some stories and teasers in this world have already been posted on this blog so look for them on my fiction page.

And finally, you can just follow my progress on things and get quarterly updates and new fiction by subscribing to my newsletter at For signing up, I’ll send you a copy of the first story I every wrote about a warlock doctor.

See you next time!

*Update 9/14 – I’ve begun posting some of the “influence” posts I mentioned before. Here’s what I’ve completed so far:

July Newsletter + New Fiction: Master of Secrets

So this post is a little wonky (and looonnngg oops), but basically, I have a newsletter which I’m going to put out quarterly. I’ve copied the July letter into a post so folks can see an example of what they’d get by signing up. Mostly it’s updates about my life and writing which I might not post on the blog. Also, each quarter I’m going to try to include a new piece of fiction, that is exclusive to the newsletter. This month’s piece is Master of Secrets which I’ll explain more about in the letter.

**Please also note that if you sign up, you’ll immediately receive the first piece of fiction I ever wrote about a Warlock Doctor. It’s kinda fun I think.

Anyway, here it is! Enjoy!

Hi all,

Welcome to my quarterly newsletter. You’re probably here because you clicked the subscribe link on my blog. I hope you did that because you’re interested in keeping up with me ‘behind the scenes’ so to speak. If not, please feel free to unsubscribe.

Still here? Awesome! So basically what you’ve signed up for by getting this newsletter, is MORE access to my random thoughts which might at first seem a little scary (unsubscribe is still just a click away), but you will also get quarterly updates on different writing projects I’m working on, how the process is going, sneak peeks and exclusive content. Ya know standard newsletter stuff. Hope it lives up to the hype! Read on to find out . . .


This section is pretty self-explanatory. In it I’ll cover anything that I feel needs to be announced. Right now (7/2/2021) things are chugging along pretty well but everything should be business as usual for a while. Some things are in the works which will get announced soon, but those announcements will likely be sent out over the blog, not exclusive to the newsletter (sorry).


Another self-explanatory section. Here I’ll go over any writing projects I’m working on and what I feel my accomplishments during the quarter have been. Right now, those projects are mostly Blogging on A&A, and my novel (and associated short fiction).

Blogging on A&A:

It’s been almost five months since I reintroduced myself to blogging with I’m Baaaackkkk!, and I think it is going pretty well? I’ve certainly been enjoying it. Since my return, I’ve been trying to post book reviews on Wednesdays and short fiction and miscellaneous posts on Fridays. I’ve done 17 reviews, mostly about Hugo Award finalists, and 9 pieces of my own original flash fiction. It’s been a wild ride.

Also, during May, I participated in #WyrdAndWonder, a month-long celebration of the Fantasy genre. The post I’m most proud of is #MapMonday: Using Emerging Tech for Fictional Maps, but there’s a lot of fun posts for it, so be sure to check out my #WyrdAndWonder Wrap Up Post.

#JurassicJune was kind of a bust for me, but I did read and review a great book called Why Dinosaurs Matter by Kenneth Lacovara, and did a fun Jurassic Park Book Tag.

Two more posts I’ll mention because I enjoyed writing them are Ancient Egyptian Doggos! and On the Scholomance as a Twisted, Evil Eudaimonia Machine.

Ancient Egypt and Dinosaurs:

I won’t say a ton about this right now, as almost everything in this category is still a work in progress but considering this quarter’s “exclusive fiction” is a random scene in-world, y’all gonna know about it. The premise is simple (but hopefully fun and unique): What if there were Dinosaurs in Ancient Egypt?

I’ve written a short story in this world called Narmer and the God-Beast which I’m going to publish on Amazon. I even paid for a cover and everything, which is like 88% done and I’m sooo excited to show it because it looks great even now but it’s not done. Expect more on that coming soon!

I’ve also written a novel in this setting which will be torn to shreds, critiqued in July. I’m hoping to pitch this more traditionally once I have feedback and have done rewrites. It’s been a ton of work, and will probably be a ton more, but I’m already pretty proud of it, so hopefully I’m not delusional, and it’s alright. Look for more on this coming soon . . . but not that soon.

Finally, I’ve been working on a companion piece to the novel tentatively called The Ore of Ra Nt-ka, which will follow a merchant, Beqsu, through a similar track as the MC’s in the novel, but with different goals and motivations. I’ve posted teaser of this piece on the blog as Beqsu Takes a Leap.

Ultimately, it’s just an alternate perspective. I decided to do this because I wanted to spend more time in the world before diving into a sequel (too much work lol), and thought it might be cool to try to get it on Kindle Vella which will be live in late July. I can already tell I will not be able to make this deadline but am still going to pursue the piece and see what comes of it.

The ‘exclusive’ fiction at the bottom of this post, Master of Secrets, is a deleted scene from that work in progress. You’ve seen a preview of it on the blog as well. I hope you like it!    

Convention stuff:

Not much happening in convention world. I reserved a room for Discon III at the OMNI. I’m really looking forward to this con as I’ve never been to a Worldcon before, and am not sure how many others I’ll be able to go to (traveling to them is usually cost prohibitive). But that’s not until December so I probably won’t have much to say about it until then. But get hype! It should be fun.


Usually, I might write something here that’s been on my mind lately, about any topic, but I think this post has gone on long enough already. Future me will do better . . .

Besides, I just want you to read the fiction!  

Newsletter Exclusive Fiction:

Master of Secrets

By JD Weber

Khueninput looked into the glowing red eyes of the god-beast before her and wondered if the Lord of the Sacred Land really still protected her, or if she was being a fool to keep the dead priest’s body hidden.

Quite a bit of rumor and myth surrounded the legendary creature which stood snarling and hissing in her face, and she was horrified to say that every terrifying story she’d heard about Ra Pt-r appeared to be true.

This one stood roughly the height of a man, and walked on two sturdy legs, its head and torso leaning forward, while its tail stretched out behind it. The beast had two forelimbs which protruded from shoulders barely distinguishable from its thickly muscled neck.

But mostly she focused on its jaws, which were filled with an innumerable array of jagged teeth. Sickle shaped claws tapped ominously on the sandstone floor.

Khueninput clenched her fists and decided to direct her outrage to the very-much-still-living priest who controlled the creature.

“It does not matter how many godlings demand entrance to the embalming chamber, Ra Nt-Ka’s authority does not supersede that of The Great God Anubis. None can enter while he is here.”

The man before her curled his lips into a leer and simply raised his eyebrows as if to say “Oh really?” 

Khueninput did not let her fear of the creature weaken her stern gaze, much. If the god-beast wanted inside the embalming chamber there was little she could do to stop it. Better shore up her position before the priest grew tired of playing with her, and let the beast loose.

“A blind man can see that Ra Pt-r is controlled by your red magic. If you release it, it will not be the godling who must recite the confessions before The Court of Ahseer. Do you think the Scales of Anubis will balance for you when you’ve broken the Jackal’s own laws? None can enter while he works. None but the dead can know his mysteries.”

“There is one who may enter,” said the priest looking amused. “Hery Sesheta, the Master of Secrets.”

Real anger flared in Khueninput’s gaze now. “That is no longer my rank within his cult Setek Peribsen.”

“A shame,” the priest said with a feinted nonchalance, as if the temple storeroom where out of Bahriyan wine, and he’d have to drink something else of lower quality.

Ra Pt-r crouched as if to strike.

“Do not go against him Setek Peribsen” said Khueninput, in a hiss that would have made a cobra proud, despite her desperation. “You will not survive it. He is the Dog that Devours Millions.”

“I’m here by Chaotic God’s own decree!” burst the priest. “You do not think the Great God Set will protect me from the whims of his own son? A child no less? You truly believe your dog will be able to stand against The God of Storms himself?”

“Anubis is also known as He Who Eats his Father.”

She let the silence fall heavy between them.

The priest’s face did change, if only briefly.

So he’s heard that name as well, perhaps there is some truth to it then . . .

“Fine!” He said finally. “Let the dog play with his bones. Your only delaying the inevitable. That man was in league with The Assassin, and he will answer for it. Set will have his vengeance.”

“Then he’ll have to seek it in the Duat.” Khueninput replied cooly.

The priest was all bark now.

He huffed and made a show of whirling his black and gold vestments, as he tried to storm out the mortuary. Ra Pt-r looked at her with an almost pleading eye before stalking slowly behind him, chittering softly.

Khueninput sagged against the door behind her, her breath escaping in a long and ragged gasp. She realized with quite a bit of detachment, that her hands were shaking. She was still fighting for control of them when she felt more than heard, a voice call out from inside the embalming chamber.

You may enter . . .   

Khueninput’s heart leapt in her chest. Could it be? The Lord of the Sacred Land had just asked — no ordered her — to come into the sanctuary and share in the Mysteries of the Sky, Earth and Netherworld. He had not done so since . . .

She did not allow herself to think about the last time he had allowed her anywhere near an embalmer’s bench. She might never allow herself to think of that day again.

But neither would she allow herself to ignore his command.

She fumbled at the door, unable to work the latch correctly when suddenly, the door disappeared, a simple archway now before her.

The Keeper of Keys.

The Opener of the Ways.

She entered slowly, keeping her head bowed in respect to the great deity, but she could not help but scan the embalming chamber in search of the jackal god.

She saw much before she found him.

The room was dimly lit, shadowed so that Khueninput could just make out the shelves of herbs and animal fat used for embalming. Alabaster jars — each carved to resemble a different son of the falcon god Horus — waited to be filled on the workbench nearby. A small vat of natron salt had been rolled in, and several spoons, knives, a chisel, and spatula, rested on its unopened lid. Only the heap of linen seemed to have been disturbed by the god in his work.

It did not feel right.

The priest, Ra Nefer-Ab, or the beauty of Ra, lay wrapped and shrouded in long strips of linen on a large stone pedestal. His posture seemed tense, somehow rigid as if trying to break free of the binding of the cloth. He was contorted ever so slightly so that his face peered up at the Jackal God looming over him, and though she could not see his face, Khueninput would have guessed the man in pain.

For his part, The Lord of the Sacred Land looked just as she remembered him. In this form, he had the body of a man but wore the head of a jackal. He wore a simple white skirt which contrasted sharply with the onyx coloring of his skin. Around his neck he wore a linen scarf adorned with a double fillet of blue lotus and cornflowers woven upon strips of pith, twisted in a bow at the back of his neck. Small veins of gold pierced the dim along his arms and chest, stress fractures, as if his shape were ready to burst from the pressure of his holy blood and power as a god. Sandaled feet revealed silver toenails and when the god turned to finally acknowledge her, he looked upon Khueninput with eyes inlaid with gold, calcite, and obsidian.

Not for the first time Khueninput felt her heart drop out of her chest, and her pulse begin to race. Sweat beaded upon her brow, and her pupils dilated more than the darkness of the room should allow. To look upon the Great God Anubis was to look upon death itself.

It was to look upon eternity.

Anubis motioned for her to join him at the pedestal and then turned back to the priest lying upon it.

Khueninput heard the man’s voice in her mind as it had been during life, though his lips did not move to speak.

“Please,” Ra Nefer-Ab said. “I have not uttered lies.”

He who Sits Upon the Coffin nodded.

“I have not uttered curses.”

The jackal god nodded again.

“I have made none to weep”

Khueninput sucked in her breath in surprise as she put the pieces of the room’s puzzle together, as she realized what felt off about the scene. None of the herbs on their shelves had been removed, and the canopic jars had remained empty. The natron’s lid had not been removed and the tools were still dry and sterile. The process of embalming took seventy days of painstaking ritual and work to prepare the body for its journey through the Duat, and yet before her was a completed mummy, lying before Anubis and —

Answering the Negative Confessions . . . 

“I have not worked witchcraft” Ra Nefer-Ab continued.

The Jackal God reared back slightly and tilted his head to one side, as if trying to identify some unknown sound in the distance.

You aided the Chaotic god. Used his magic.

Ra Nefer-Ab’s voice was pleading. “I was possessed Great One! The Chaotic god forced the enchantment.”

The Great God Ahseer will not care whether you were forced, his hatred for Set is too strong. If you held his magic, Ahseer will condemn you.

“But the other Gods.” Ra Nefer-Ab begged. “Surely they can be persuaded.”

Anubis thought for a moment and then nodded for the priest to continue.

“I have not attacked any man.”

You killed two soldiers in Set’s temple . . .

Ra Nefer-Ab’s voice sounded as if his body were wracked with sobs though it lie motionless on the bench. “Please. I am not a man of deceit.”

Anubis looked thoughtful for a moment before nodding.

It is true, you are not, but as you are you will not pass The Court of God’s judgment. Take this.

Anubis opened his jet black palm to reveal a small nugget of gold, carved and shaped into the form of a scarab.

Swallow this before you speak false, and Khepri will protect your heart.

“OH! Thank you!” Ra Nefer-Ab cried. “Thank you.”

Anubis reached behind him for the embalmer’s tools and selected a golden adze Khueninput had not seen when entering. The Jackal God touched the adze to the mummy’s lips and light began to shine forth from the priest’s body. It swirled and roiled until finally it had collected into the shape of a bird with Ra Nefer-ab’s countenance. The golden scarab hung from a small chain around its neck. The priest’s Ba nodded once to the Lord of the Sacred Land and then flew towards the archway through which Khueninput had entered. She saw now that it did not lead out into the streets of Edfu, but into a shimmering field.

The Jackal cleared his throat and Khueninput turned quickly back to him in surprise, remembered who she stood before, and then dropped to the sandstone floor in a bow. With her head still lowered to the floor, the Great God spoke.

Outside, in the face of Ra Pt-r, you held your ground. Loyal, after all this time.

Yes Great One. Always,” she said, and realized that she must mean it. To speak something in The Two Lands was to make it true.

She had not looked up at the Great God when she spoke, but at her words, the shadow looming over her seemed to move. She lifted her gaze slowly and found the god’s hand proffered out to her, palm open as it had been with the priest only moments before.

A golden scarab rested in his palm.

Now it was her turn to rear back slightly in confusion.

“Great one I cannot take this, I’m not worthy of it.” She held his crystalline gaze as long as she dared, but then lowered her eyes as he wrapped her palm around the amulet.

Then find someone who is. I have faith that when you do, you will no longer need its protection.

She raised her eyes again, wanting to ask what the Lord of the Sacred Land could possibly mean by such an order, but he was gone.

Khueninput startled as a knock came at the door to the embalming chamber. The door, not the archway which had only moments ago lead unto a paradise which she could only presume had been The Fields of Aaru.

Khueninput got up off the floor, and steeled herself, expecting Set’s priest to have returned. But when she opened the door, she found a young woman in a white robe standing before her, a jackal-head mask tucked neatly under one arm.

She was one of the lower priests, ranked as W’b or maybe not yet initiated into the earliest rites.

“Are you ready Hery Sesheta? Your boat to Hardai is nearly ready to leave.” Khueninput blanched slightly at the use of her old title, but the woman did not seem to notice. She just continued on in a perky voice as if she were about to visit the market to shop for some new jewel.

“I can walk with you to the docks if you like.”

Khueninput looked at the women suspiciously for a moment, feeling the weight of the gold scarab in her palm.

Would it really be that easy?

No she decided, and told the priestess to go onward without her. She would catch up soon.

Khueninput took inventory of the things she’d need for her journey home, and quickly gathered them to her person. She elected to wear what little jewelry she had instead of packing it, and then found another W’b priest to take her luggage to the docks.

It felt strange leaving the priest’s mummy on the stone slab alone, but the other priests of his order, and whatever family he had near the temple would come soon to seal him in his tomb. She had done her job, and should be on her way to the docks.

She walked out into Ra’s light and couldn’t help but feel a bit giddy as she walked the thoroughfare to the docks.

Anubis, Lord of the Sacred Land, was giving her a second chance . . .

It was nearly impossible not to skip her step with excitement.

As she walked, she noticed the young woman from before, lingering near a merchant’s stall, eying his wares, but not daring to approach. When the woman caught site of Khueninput approaching, she quickly scurried off in the direction of the docks.

This only brought the merchant’s attention onto Khueninput, and he began lavishly heaping praise upon her beauty, complementing the jewelry she already wore, but also adding how much better she would look with one of his pieces resting gently around her neck.

She laughed slightly and was about to continue on, when she noticed he also had jars of incense to sell, and wax candles, always a commodity in the Great Jackal’s temple, or any other god’s shrine.

She knew the ship was supposed to leave soon, but she could not help but approach the merchant’s tent. He seemed slightly stunned at first that he’d actually managed to hook a customer, but he recovered quickly enough and began pull forth some of his finer wares for her to peruse. After he’d set out the leopard’s skin, and giraffe’s tails he began to launch back into his pitch.

Khueninput held up a hand to stall him.

She hefted a jar of incense, feeling its weight in her palms and judging it to be similar to that of the golden scarab within her pocket.

“Made with cypress?” she asked raising the jar of incense to her nose to smell.

“No Hery Sesheta. Pine resin.”

The merchant had a small scale on the table as well, and she placed the jar on one of its plates, declaring her intent to purchase. The merchant rubbed his hands together eagerly and began adding weight in Deben to the other side. He added many more than needed to balance the scale, and yet the jar remained firmly rooted against the merchant’s table.

“Your weights are false. I’ve already weighed the jar in my palm, will you not even try to hide your lies?”

But Khueninput found herself smiling.

This man would surely need the scarab’s protection when he finally went before the gods, perhaps she should give the amulet to him.

But that couldn’t be what the Jackal god had meant with his order could it? Simply give the amulet to some wretched street merchant who probably had cheated his own grandmother before coming to Egypt.

Khueninput thought of the Great God weighing Ra Nefer-Ab’s answers as he pleaded on the stone slab. If the man had been against Set, perhaps he was indeed a worthy spirit after all. Anubis had seemed to consider more than the literal interpretation of the man’s confessions, he’d considered the intent of the words behind them. He had protected a man who’s intent sought peace and order over the chaos of Set’s reign even though he’d needed to kill to do so.

Khueninput eyed the traveling merchant as he left her side to hawk his wears at another potential customer — somewhat rude but certainly not damning — walking by, and weighed scales in her own head.

Unfortunately, the man who’d come to hear the merchant happened to be none other than Setek Peribsen. His captive god-beast looking plaintively onward with glowing red eyes.  

“I saw him Neb,” the merchant said when Setek Peribsen finally reached the stall.

“Well? Tell me! Which way has he gone?” Setek Peribsen did not seem to notice Khueninput yet, focused as he was on the Chaotic God’s command to find this . . . Assassin.

“It all happened so fast, I can hardly remember.”

“Perhaps north?” the merchant continued looking past the great temple as if he might still be able to catch sight of the man in flight.

The priest’s hand moved to cover his mouth, but Khueninput could still see his eyes shrink with a kind of shrewdness as they searched his countenance. All the merchant’s wares may as well have been more sand among the dunes for all the interest anyone payed them now.

“I remember you,” the priest said, removing his hand to reveal a set jaw and stern bearing. “Beqsu, from back at the monument. Of course it would be you who I must bargain with. What’s your price.”

“It should not be hard to pay. It is only what you already owe.”

“Hah! What I owe. Perhaps I could give the eggs of Hunta Ari Pet back to you.”

Khueninput could feel herself startle at the mention of such a valuable item, but she quickly schooled her gaze.

The priest of the Chaotic God continued. “But then scales would again be unbalanced, and it is your life that would be required to balance them. Luckily I have Ra Pt-r here to collect the toll. Tell me which way he went.”

Khueninput felt herself beginning to shake with rage. She’d been on the other side of Ra Pt-r’s gaze, understood the terror the merchant must be feeling. To threaten someone in this manner, to control the god-beast as he did . . .

It was an abomination.

But with Ra Pt-r poised to strike, there was little she could to on exact revenge upon Setek Peribsen, nor should harming him be her purpose here. She thought of the god she served, his likeness perched atop a coffin, loyal to the dead inside. She thought of Anubis handing the golden scarab to Ra Nefer-Ab, and later to herself, protecting them from the judgment of Ahseer, and the jaws of The Devourer Ammit.   

The words left her mouth before she could think. “The man you seek went south.”

The merchant turned to glare at her, and she could tell by his expression that she’d guessed correctly. She glared back at this Beqsu. “Tell him the rest. You have nothing more with which to leverage the scales.”

The merchant looked as if he might burst he held in so much pent up anger, but eventually he sighed and the anger flowed out of him with the escape of his breath.

“He fell from the sky like the God’s ore itself and landed in the reflecting pool. When he emerged from the waters he fled south, heading towards Nile.”

Setek Peribsen looked thoughtful again, raising his hand to his chin. He turned to Khueninput. “The Chaotic God has blessed me,” he said finally. “I’ll admit that after our dealings outside the embalming chamber, I’m surprised you’ve come to my aid.”

Khueninput smiled. “You’ve not reached Aaru yet Setek Peribsen. The water from the reflecting pool must have cleared your fugitive’s scent. That is why Ra Pt-r couldn’t track him. You’ve been searching too long. He must be half way to Nubia by now if he managed to catch a boat heading that way. 

“It will break the god-beasts to try and catch him now.” Khueninput believed that this notion did not upset Setek Peribsen very much. He almost looked excited by it.

“Perhaps I can ease your journey,” Khueninput continued. “I have a ship which has not yet left the docks. I could send it south along The Great River if I had cause.”

That shrewd look came over the priest’s face. “And what is your price?”

“Give me the Hunta Ari Pet eggs and you can have the ship and everything on it. Send it whichever way you choose.”

Setek Peribsen considered for a moment.

He would be a fool not to take the deal. The sky lizard’s eggs were worth their weight — or perhaps considerably more if measured by the merchant’s false scales — in gold, but they did not come close to the price of ship. And it would certainly shorten The Assassin’s lead on the Chaotic God’s agents.

“And what need do you have for them. I pray you’re not simply going to turn them over to this vagrant.” He motioned towards Beqsu.

“I will do with them as the Lord of the Sacred Land commands me.”

Setek Peribsen did not seem appeased by this answer — a fact that probably gave Khueninput too much satisfaction — but he could not see the trick within her words and so he begrudgingly brought a linen satchel forth and handed them over. Khueninput handed over the deed to the ship, and smiled as she watched both priest and Ra Nt-ka disappear towards the docks.

“What is this?” said the merchant, unable to restrain himself any longer. “Some kind of revenge because I cheated you? Those eggs are mine!”

Khueninput looked over to him.

“You should not have cheated me merchant, but no this is not revenge.”

“Then what? Cruelty?”

Khueninput sighed. “No. Not cruelty either. If we’re counting, I believe I just saved your life from that god-beast.”

Beqsu began to look indignant so Khueninput quickly continued. “Listen. In the short time I’ve known you, you’ve tried to cheat me, and scam a priest of the Chaotic God Set. You claim these eggs are yours, but you neglect the fact that to come by them, you must have stolen them from godlings in the first place, or at the very least traded with someone who did, which will not be better in the eyes of Ahseer.”

The look that came over Beqsu’s face at her words filled Khueninput with some measure of hope and affirmed her resolve.


“I was not always like this,” Beqsu said. “In Nubia, it was not like it is here in The Two Lands. It seems like every day I must commit some crime in order to survive. What you saw today was not even the worst of it. It does not bother me anymore.”

“Well at least repay your debt to me. I’ve saved your life.” Khueninput said. “Come with me to Hardai. Spend some time in the City of the Dog, I think you’ll find it is never too late to turn things around.”

“I thank you, Hery Sesheta, for saving my life from the god-beast but I’ve come too far. Any debt I owe you is not so great as what you’re asking me to do.”

Khueninput held forth the patted the satchel at her waist.

“Come with me. Try. If we fail, these eggs are yours.”

Beqsu looked thoughtful for a moment and then smile came across his face. “Fine.” he said then laughed “What is one more trial? Perhaps you will save me after all.”

Khueninput looked the merchant in the eye, a smile forming on her own lips.

Perhaps you will save me as well . . .

If you made it this far I’m impressed. You must like what you’re reading? If you’d like more of this coming directly to your inbox, go ahead and sign up for my newsletter.

Thanks so much for reading. Leave any comments you feel in the comments section. Until next time . . .

Ancient Egyptian Doggos!

Tomb of Tutankhamun, 18th Dynasty Egypt (ca. 1325BCE). Photograph taken in the Cairo Museum, 2007, by Jon Bodsworth] Public domain

So, this post might seem a bit out of the blue, but I’m hoping in the long run it will just be the start of something I do semi-frequently. Also, this blog has randomness built into it, so you’ll just have to run with it.

Long story short, while doing research for a work in progress (hopefully finished this month!), I fell down an Ancient Egyptian research hole (of which I’ve fallen down many) and discovered a lost city . . . rarely looked upon by modern eyes . . . and it was filled with doggos!

Ok. I didn’t really discover anything except the wikipedia page for Cynopolis, but even this simple thing, started me on a much longer journey (I’d say at least 3 more articles) to try and discover:

Just what exactly is going on with dogs in Ancient Egypt anyway?

It turns out, much like modern times, a lot of things.

Most people are probably familiar with Anubis, the Ancient Egyptian god of the dead. Much like the Greek god Cerberus, Anubis “was considered the watchdog of the dead”. He:

“. . . was associated with funeral rites, he supervised the mummification of the deceased . . . Undoubtedly, though, his most important function was guiding the souls of the deceased to Osiris and a council of thirty-seven lesser gods/judges who determined the fate of the soul, based on its earthly behavior. Anubis, then, is also associated with resurrection, as well as death.” – pg 126.

“‘Hail Anubis: The Dog in Religion and Myth.’” Our Debt to the Dog: How the Domestic Dog Helped Shape Human Societies, by Bryan David Cummins, Carolina Academic Press, 2013, pp. 123–150.

No pressure there right?

But how did this come to be? The author of the previous quote, Bryan David Cummins, thinks that:

“it might be related to a primordial fear of the wolf and, more specifically, to the wolf as competitor and apex predator. With the dog as companion to the afterlife and as guardian of the un­derworld, it might be that we have, in our imaginations, melded on the one hand the dog as wolf/predator and, conversely, the dog as a friend and servant to humankind as we make our way from this world to the next. Whatever the case might be, there is a near universal religio-mythical association of the dog with death the afterlife, and the passage between the two.”

“‘Hail Anubis: The Dog in Religion and Myth.’” Our Debt to the Dog: How the Domestic Dog Helped Shape Human Societies, by Bryan David Cummins, Carolina Academic Press, 2013, pp. 123–150.

So all cultures love their doggos, or at the very least have them around.

What does that mean for our furry friends in Ancient Egypt?

Well, it seems similar to today, in that dogs probably occupied various places in society depending on where they lived, who their owners were (if they were owned), and what was available to them. Much like humans, some probably lived in luxury, while others had to fight to survive (a dog eat dog world so to speak). Cummins writes:

“The domestic dog, being a product of culture, in its various guises and roles reflected these social realities. Ancient Egyptian dogs, Thurston writes, were classified in a manner similar to their owners: there was a minute minority that enjoyed luxury; others functioned as hunters, soldiers, and guards attached to the ruling class; there were temple dogs for ceremonial and ritual purposes; and, at the bottom, the feral dogs that scavenged for a living”

“‘Hail Anubis: The Dog in Religion and Myth.’” Our Debt to the Dog: How the Domestic Dog Helped Shape Human Societies, by Bryan David Cummins, Carolina Academic Press, 2013, pp. 123–150.

But you said ‘city filled with doggos’ . . .

Yes. Yes I did. Apparently, in the city of Cynopolis (also called Hardai), pupper worship reached the pinnacle of its form. Cummins says:

What has been dubbed “the cult of Anubis” reached its greatest development in Cynopolis, “the City of Dogs.” Cynopolis was also known as Hardai by the Greeks. The city was a religious and commercial center that became, in the words of anthropologist Mary Elizabeth Thurston (1996:33), “a kind of mecca for Anubis worshippers, attracting thousands of pilgrims who came to beseech this deity for special favors on their behalf. Dogs thrived on the city streets, seeking food from visitors, and in its temples, where both dogs and priests were supported by the generosity of the city’s residents.

“‘Hail Anubis: The Dog in Religion and Myth.’” Our Debt to the Dog: How the Domestic Dog Helped Shape Human Societies, by Bryan David Cummins, Carolina Academic Press, 2013, pp. 123–150.

I mean . . . who doesn’t want to live there? Right?

Lastly, in something that I think today we would consider ‘meta’, Egyptians would also mummify their dogs once they passed. In essence, they were offered back to Anubis, who would look after his canine brethren in the afterlife. Again, Cummins, quoting Hall:

The predictable elaboration of this practice was the offering of a mummified form of the animal itself which the god was sure to recognize. It was perhaps inevitable that Cynopolis was not only “the city of dogs” but a “funerary city of dogs,” where the mum­mification of the beloved companion dogs that were brought here were ensured an existence in the afterlife (Hall, 2003:148).”

“‘Hail Anubis: The Dog in Religion and Myth.’” Our Debt to the Dog: How the Domestic Dog Helped Shape Human Societies, by Bryan David Cummins, Carolina Academic Press, 2013, pp. 123–150.


Not much of one, except to paint a picture. A whole city devoted to man’s best friend. Imagine walking to work and meeting your god in the street . . . telling him he’s a good boy and maybe giving him a pat or a scritch behind the ears.

I’m sure there was much more to life in ancient Cynopolis than just being around dogs all the time. I’m sure at points there was unrest, and crime like any city (I’m also wondering who did all the scooping). The wikipedia page says there was even a war between the city and a neighboring one that worshipped fish.

But I like to think that the simple scene I described above must have happened at some point. That it was an idyllic moment, and that it perhaps was the sort of thing that happened often. I like to imagine a life in which it was normal to be so devoted to something that is clearly devoted to you, and wonder how it would feel to express that reverence with the kind of formality that religion allows (and often demands).

Annnnddd that’s all I have for now. Love your dogs if you got em . . .

Further reading?

So I came across this article while writing this post. It looks more at dogs in literature, but I thought it was ‘on-topic’ so to speak. Enjoy!

The Curious Symbolism of Dogs In Literature and Myth – Interesting Literature

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More like GREAT Shabti!

That's my SIGNED copy and two chap books it shipped with. One is from Will Hill, and the other from Tiffany Angus

That’s my SIGNED copy and two chap books it shipped with. One is from Will Hill, and the other from Tiffany Angus

Hello all. It’s been a really long time since I posted anything on here but I was writing something for a goodreads review and decided just to post it here also. It’s about Robert Sharp’s novella(?) The Good Shabti. Hope it helps and please boost the signal on this one. Thanks! Here goes:

I really enjoyed The Good Shabti. I’ve been looking around for something like this for a while now and here’s why:

Stories involving ancient Egypt (and Mummies!) seem far and few between these days. It’s as if we have collectively put them into a neat little box (coffin?) and said “These stories are no longer interesting. We’ve added pyramids and scarabs and mummies to the classic “adventure” novel in as many ways as we know how and that type of thing is . . . well it’s antiquated and therefore not of use to us. Stories involving ancient Egypt are no longer any use to us.”

The Good Shabti doesn’t use that formula. The Good Shabti takes a stance more like: “We tell different types of stories now. Sure we do. And they’re good . . . But that doesn’t mean they still can’t have Mummies!”

It was truly refreshing. Plus, if you stick through until the end, there is a pretty powerful afterword by John J. Johnston who’s Vice-Chair of the Egypt Exploration Society. Really puts the story into context and adds to the experience. While reading The Good Shabti, I couldn’t help but notice how accurate . . . maybe true (or real) is a better descriptor, the “Egypt” parts of the novel felt. You better believe the author was crossing his T’s and dotting his Anubis Heads with the Egypt Exploration Society watching.

Needless to say, I really want to boost the signal for this book. I hope we see more like it soon.

That’s all for now! Laters!