A hard question to answer. Silver in the Wood by Emily Tesh is a great novella for many reasons.
The first reason, is its up close-and-personal interpretation of the ‘Green man’ myth. Unfortunately, I’m not very familiar with the folklore surrounding this figure, so I can’t really comment on Tesh’s interpretation.
The impression I have though, using really only this story as a reference point, is that The Green Man is a kind of tree spirit, similar to a Dryad from classical mythology (indeed there is a dryad that follows our main character around and is very protective of him), which protects the forest and keeps out all the bad stuff that wants to come in. However, a few things set our main character apart:
- he is male and most dryads are female in the book
- he lives near a big oak tree which might make him something like a Hamadryad but I’m not sure
This sort of mythic existence puts him in a sort of tenuous relationship with the rest of the wood’s inhabitants. At first, humans see him as wild and scary, but ultimately get over it as the story progresses.
Whatever the folklore textbooks have to say, the interpretation written here feels simultaneously personal, and mythic in a way which is really engaging and is probably the first thing I noticed about the book.
I feel this mythic quality is accomplished by the second awesome part about this novella: Tesh’s prose. They’re lovely, and seem to rely on some seemingly impossible phrases (how exactly does time pass “slow and green”) which don’t hang up the reader, but give us our own freedom to imagine their implications. Throughout the entire work, we’re in a place where things don’t quite make sense but are nevertheless mystical and fantastic.
This novella’s final and perhaps most endearing quality is its romance arc. It seems to try and hide itself behind the thickets of legend and worldbuilding, but the reality is that this story does not start until Tobias meets Harry Silver, and can’t end until . . . well I won’t spoil it. Needless to say, it is the thread that pulls us through.
My only gripe, is that I felt like I was left wondering in a few too many places. The story seems to have complex character relationships based on a complex and long history, but I felt like we never got enough of that history to understand why the action we were taking would bring about the end we desired. Even in a scant 100 pages, there was at least two moments in which I wondered why we where seeing something and ultimately felt the scene could have been pruned away.
I suppose the answer to this question will ultimately come down to how it stacks up against the competition.
This title is a great read, and there is much to love within this bite-sized package. There is a clever mythology at play here, a genuinely enjoyable romance, and beautiful prose, but I also felt that some key information was missing, while other sections seemed to provide things which weren’t relevant.
Looking back at my review of The Vanished Birds, I seemed to have similar complaints, although I feel it’s longer page count might give it some more leniency than Silver in the Wood. Short works don’t have as much time for extra material. Every word counts.
Micaiah Johnson’s debut is probably still the story I’ve enjoyed most in my Hugo Contender read-through (though I’m not going to look back through all the posts to make sure I didn’t contradict myself). My review of The Space Between Worlds cites strong characters, and a well-developed setting as it’s strong points, and I believe that in these categories, it simply out-performs Silver in the Wood.
No Astounding Award for Tesh this year (in my rankings at least), though I’m sure she’ll contend for other awards in the future. If you’ve made it this far in the post, I’m hoping you’ll still go read Silver in the Wood as it is a great book!
If you have questions comments or gripes, leave em in the comments. Thanks all!
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