For new viewers from the #WyrdAndWonder crowd (also check out my previous Wyrd And Wonder Posts), I’ve been working my way through a really long list of Hugo contenders and asking the question: “Should [book title] get a Hugo?”
Obviously, my priorities changed slightly once the Hugo Finalists were announced, but I’m still going to be blogging as many of the original list as I can until the award is given sometime in December.
Luckily for me, this book fits squarely into the Fantasy genre, and I’m not going to have any qualms reviewing it as part of Wyrd And Wonder.
Now, this is only the second book on the finalist list that I’ve finished, and for me, it is the front runner for the award right now. I reviewed Network Effect by Martha Wells, a while back, and concluded that while it was a great book (and I love me some Murderbot!), it was not the right choice for the Hugo this year, as I decided it wasn’t ‘new’ enough to really reflect the genre at this moment.
Black Sun by Rebecca Roanhorse is the first entry in (what I assume) will be a trilogy (or maybe a series), and there is very little here that I would not consider ‘new’, at least to me.
The first thing I noticed about the book (other than its harrowing first chapter), was the depth of the world in which the story takes place. In an interview with Roanhorse on NPR, the author says she’d been:
“. . . reading about Pre-Columbian cultures for decades. But for this book I really dug into everything from Polynesian sailing methods to what we know of the Maritime Maya to the habits of corvids. I also read a lot about crows.”https://www.npr.org/2020/10/17/924734316/i-longed-to-see-something-different-so-i-wrote-it-questions-for-rebecca-roanhors
All of that is used to awe inspiring effect in Black Sun, whether it be out in the sea, sailing the mother waters under a Teek captain, or crossing the Holy City of Tova’s suspension bridges to be closer to the sky. And after 464 pages (well almost 13 hrs for me on audio), there is still so much more of this world I would like to see.
I also really enjoyed the role that crows played in this story. Our black feathery friends (or maybe enemies) are never skimped upon when it comes to depictions in literature – renown as tricksters, harbingers (of fate or death), and companions to the gods of many cultures – the crows in Black Sun felt fresh and different, and I’m anxiously awaiting more stories like it.
Also important, I learned a new (to me) pronoun. Shey/shem/sheir/shemselves. It’s no secret that people learn from the books we read, it is perhaps one of the most important reasons to read in the first place, to expand our horizons. I’m thankful to Rebecca Roanhorse for including this detail in her work.
Finally, the book felt like it had a story to tell that was more than just the events that happened in the plot (I suppose in English classes they call that theme). In particular, the book deals with prejudice in many varieties, but I felt that despite the darkness of the events that were taking place, I still held hope that perhaps those prejudices could be overcome.
Yup! This one is the one for me so far (and actually a bit of a surprise since I did not much enjoy Roanhoarse’s other Hugo contender Trail of Lightning). I think what sold it for me (say over Network Effect I mentioned earlier), was the themes which seem so prescient, and of this moment, as to be a worthy representation of what the genre is considering during 2021 (well 2020 I guess but these lines are fuzzy).
Anyway, that’s all I have to say about Black Sun. Please let me know what you thought of the book in the comments! Thanks for reading!